Having a Gas

Camera bags in decontamination unit in scientific facility.

That rather murky image shows my camera gear being gassed.

The other week I was taking stock images for a client in a scientific research facility which required all kit I take in with me be subjected to 90 minutes decontamination.

This method is used to decontaminate all kinds of sensitive scientific equipment, so my hosts reassured me my gear would be fine. I’m pleased to say it caused no problems at all, and afterwards I could have eaten my lunch off my camera if I’d wanted. I didn’t fancy that though, so I used a plate as usual.

Speaking of having a gas, I’m getting married this weekend (huge party!), so I’m going to have a blog rest for a couple of weeks. I could probably do with a bit of a Summer blogging break anyway (still available for commissions of course!), but I should be back to regular posts by the end of August.

I shall wish you all a lovely Summer filled with more sun than rain and I will catch you again soon!

Case Study: The Awards Event Photography

Innovator of the Year glass panel in the main hall, Horticultural Halls, London as delegates gather

This shot was created by firing a remote flash behind the glass panel to highlight the event title and add light to the delegates as they started to gather

Last Thursday I was in London covering the Fostering Innovation awards event for Biotechnology and Biosciences Research Council (BBSRC), an annual event which recognises those whose research is truly innovative and which will have real impact on society. It’s probably explained better here.

My challenge in covering this event is that every year it’s held in a different venue. This year it was the Royal Horticultural Halls, a very splendid setting, but the lighting was definitely on the lower side of low. This is often the case with large venues, and while some photographers make a big deal of working solely with natural light, they would have come spectacularly un-stuck in this situation.

Whenever I cover an event which involves a stage, a podium and a mixture of general shots and individuals either with their exhibits or receiving awards, if natural light isn’t abundant and of a good enough quality, I get to working out how to use flash without destroying all of the ambience or style of the event.

For this venue I decided to set one flash to cover the stage with a view to making it look as if there were a powerful stage light on the speaker (the light set by the AV guys was too weak and too strongly coloured for still images, even if it looked great from an audience point of view) , and the rest I shot with a hand-held flash held a little way away from the camera and using my favourite technique for softening the light to keep it as flattering as possible – direct, camera-top flash is unremittingly harsh and tends not to cover the subject as reliably as I like.

Keynote speaker addresses the Fostering Innovation Awards 2014 audience at Royal Horticultural Halls, London

Setting up a remote flash to cover the stage meant I could illuminate the speaker while audience heads finish the frame nicely

Portrait of Innovator of the Year 2014 Luke Alphey of The Pirbright Institute with his award trophy

Innovator of the Year Luke Alphey of The Pirbright Institute whose work investigates the genetic control of pests, including the dengue fever-carrying mosquito

The other difficulty of the low light was that sometimes this made it tricky to focus on subjects, but using fast, professional lenses certainly helps with this. It often strikes me that as camera technology has developed, I often find myself taking pictures in scenarios I might once have written off as impossible a decade or more ago.

But that’s what keeps this job interesting; giving the client creative coverage of their event in spite of all the challenges. I enjoy problem solving with each new event, venue and lighting challenge this presents. In fact I’m hoping next year’s awards ceremony is held in the darkest cavern imaginable just so I can really test my mettle*

*Please ignore that last statement, BBSRC, I didn’t mean it!

A Day In The Life

Press photography coverage for a ministerial visit isn’t always going to produce a prize-winning image, but I like to make sure I manage to get at least a couple of off-beat images for the client even if the subject is on the dry side of arid.

Politicians are very aware of the camera now, which can lead to rather staid situations being presented. Even so, when I covered the visit of David Willetts MP to the Babraham Institute near Oxford, I achieved some decent frames. Certainly the client, BBSRC, were happy.

I thought for this week’s article I’d use this event to give you some idea of what’s involved in this kind of event and the kinds of shots to expect.

It’s often worth grabbing a general view or two for reference. If I’m at a conference, for example, I’ll try to get a shot of the empty stage so the client has a record of the layout and design. This is a simple view of the recently-finished building the minister was officially opening.

Exterior of Moneta building, Babraham Institute, Oxford, England

 

Plaque-unveiling barely counts as a photo opportunity. Even pulling other elements into the frame barely elevates the scenario, but you have to cover everything in case the curtain pole falls down or someone’s forgotten to put the plaque up!

David Willetts MP unveils plaque in Moneta building, Babraham Institute near Oxford.

Boys and their toys… People and large machines don’t always make a nice, tight press shot. The best images of Mr Willetts cutting the first sod on a new project cut out most of the digger itself. You don’t need the entire machine to see what he’s doing.

David Willetts MP in digger

The ubiquitous group shot. What can I say? Except that not all photographers are capable of arranging a decent group photo, and some will balk at taking command of people they may feel they should show more deference to. Personally, I find the only way yo get the job done properly and quickly is to be a little bossy, but always polite.

Group photo featuring David Willetts MP

An old trick, where there’s no mirror handy, is to use the reflection of the TV camera lens to make adjustments to dress before interview. As a still image it just provides more flavour  to the coverage.

David Willetts MP about to be interviewed for television

The client will never object to having their name in the photo. This kind of shot is probably of less interest to external press, but often works for the website and internal communications.

David Willetts MP at Babraham Institute near Oxford explains why he feels scientific research is so vital to the UK economy

Once the speeches are done, the minister is back in the car and off to the next meeting. No pictures, but I do stay close in case a final opportunity presents itself.

After the minister departed, it was time to get the pictures turned around quickly for the client so they could be sent out with the press release.

Another press job done, another satisfied customer.