Press Space for Storagebase

At a time when online marketing seems to dominate marketeers’ minds, it’s worth remembering that the local press still has the power to communicate your business to a well-targeted audience.

This is where the press release comes into play. Sometimes maligned, often mis-used or treated like a slightly grubby, distant uncle to all the shiny online marketing channels, press releases often fail through lack of appreciation of their importance.

Done properly though, a press release will get your business valuable editorial space. You can pay a high price for an advert, and while adverts are another good way to get in front of your audience, they’re viewed and treated differently by readers. Editorial is more trusted and allows you to get more of your business’ story into your message.

As an example, I was asked by Avalanche (a creative PR and social media agency, so local to me that we share an office) to work with them and their client, Storagebase, on a press release about their new self-storage facility and head office in Frome, Somerset.

The brief was to take press release photos to introduce the management team, the brand and the building to the local population.

I popped along to meet Storagebase’s MD Ben Morris and Jennie Wood from Avalanche for a pre-shoot site visit so I could get a sense of what shots would work best. Plus I love seeing the insides of buildings before they’re fitted out. This one had some really eye-catching internal structures and I couldn’t resist popping off a couple of shots during the visit.

On the day of the photo session the weather was a little tricky. It had been lashing with rain that morning, but it was dry by the time of the shoot. I’d hoped for blue sky so I could get some dramatic wide shots of the facility, but the sky was the same colour as the building and there was still a lot of construction going on, so I opted for something tight and punchy.

Making sure I included only the important elements (manager, assistant manager, hire van and the branding on the building) I ended up with a couple of photo options to put forward to the local press. Importantly, these included upright and landscape-oriented photos to ensure they would have a picture to fit any available page space.

The result was a picture and copy across three columns of the printed edition as well as an online article, again including the photo.

So when thinking about PR, don’t dismiss the press release. Done with care and skill you not only get eye-catching coverage in print press, but it’ll go in the online editions too. Plus you can often use the same images for other areas of your marketing such as newsletters, tweets, Facebook pages and so on – not always so easy with an advert, even less advisable with poor quality content.

Pink Elephants at Open Farm Sunday

The cliché of all clichés states that you should never work with children and animals, but I disagree. They can make excellent subjects and on Sunday 7th June I got to work with both as it was Open Farm Sunday, a national event and an opportunity for families to see the inner workings of farms all over the country.

I was booked to attend Meadowlea Farm in Somerset to capture a flavour of the day for sponsors ABP. The images were destined for press release and ABPs website and internal communications, so I needed to get a good variety of shots showing interactions between families, children, the farmers and animals.

I think my favourite shots of the day show a delightful young lad, Tom, doing some colouring in with one of ABP’s representatives, Robyn. The table was set up in one of the farm sheds, I just had it pulled forward enough to get the best of the daylight on them, then let them get going with pencils and crayons. After a few action shots I wanted them looking into my lens, so I told Tom if he looked carefully and smiled nicely, he might see the pink elephant that lives in my camera. It did the trick and Tom gave me a whole bunch of brilliant smiles, it was one of those moments you can’t help smiling at yourself. And of course Tom could see the pink elephant, children always can.

News of Frome Views

Earlier this year I left the Alamy stock image library in order to preserve my professional integrity (I won’t bore you with details here), since which time I’ve been giving some thought about my future relationship with stock photography in general.

I’ve never been a great fan of stock photography partly because I always prefer to work on commission, where a client knows what they want and therefore I know I’m taking pictures which have a definite purpose. Stock photos mostly exist for no reason at all and will never be published; the idea of taking photos which just languish on a server somewhere seems sad to me.

Additionally, because stock photography is a numbers game, a photographer has to dedicate themselves pretty much full time to taking stock photos in order to make a living from it. The lack of motivation I have for doing nothing but stock shots all day combined with the exclusion of all commissioned work would kill the joy I have for my job.

Having said all that, I have decided there is room in my professional life to spend time taking pictures which interest me and which might also have a stock image value. I don’t have to offer them through an agency and I can set my own prices, but there is an additional benefit which you don’t get with a stock library, namely that by hosting the photos on my own gallery, I create content which is indexed by Google. It creates another small piece in the search engine optimisation jigsaw.

Even if I never sell a photo, the photos I host will have the benefit of helping to attract search result enquiries. I can adjust, chop and change what I offer, which will also signal to Google that I’m an active, creative photographer based in Somerset. They also show potential clients another side to what I do and might offer inspiration for their next project. All of this can only happen by keeping the images closely tied to my own website. When they’re held remotely by a stock library, the link between the image and the creator is weakened.

The images here are just a small taster, and though the collection itself is very small at the moment it will grow and you can see the full set here.

 

On The Mount

Tip: To see the image in full width, click the title of this post to lose the sidebar.

A bit of a change of direction this week; I recently started something which I hope will become a coherent series of photos journaling the real Frome town. I want to include the people and the places that get less of a look-in, which are often ignored for not being pretty enough, retro enough or chic enough for our attention. Like Standerwick, I want this series to inform the viewer without pushing an agenda. You see the pictures, you decide what they mean to you.

I don’t want this to be just another series of “petty observations” the like of which you see on Instagram or twitter every day. Certainly Frome gets its share of those with many snaps of Catherine Hill and Cheap Street, or the Independent Market. I’m looking for the slightly grittier side of Frome.

The image below is just the first instalment, a bit of a scene-setter if you like, and it shows The Mount, Keyford, Frome, which is just one of the areas I’ll be chronicling. This series will eventually get its own gallery on my website and perhaps become an exhibition somewhere in the town. Well, that would be super, but we’ll have to see about that.

In the meantime, here goes nothing, as they say…

Feltham Drive looking towards Austin Close, The Mount, Frome, Somerset

Feltham Drive looking towards Austin Close, The Mount, Frome, Somerset

My 2014 In Pictures

This, dear reader, is the last post of 2014 and as such it’s become something of a tradition for me to do an annual roundup of images, choosing one for each month of the year as it comes to a juddering halt.

The middle of this year was rather dominated with work for University of Bath as I stepped in while their staff photographer recovered from a cycling accident, and while I could have filled more months with student profiles and university events I’ve tried to keep it more varied than that.

I hope you enjoy this year’s selection. It just remains for me to thank all my clients for their custom and support over the year and to wish everyone a merry Christmas and a happy New Year.

Tim

Rotating milking parlour on a dairy in Wiltshire

January – Rotating milking parlour in Wiltshire for an article on the benefits of mechanised dairies

Jolly's of Bath store assistant Josh Gottschling in Revolutions Bar in Bath

February – Portrait of Jolly’s of Bath staff member Josh Gottschling in his favourite bar for an in-house magazine article

Nigel Lawson talking to an audience at University of Bath

March – Former Chancellor of the Exchequer Nigel Lawson addresses an audience at University of Bath on issues surrounding renewable energy – he’s not a fan of it

Two silhouetted faces in profile talking with Future Everything Festival signage displayed between them

April – The Future Everything Festival in Manchester for client Digital Connected Economy Catapult

 

Mechanical Engineering student Robert Ford of University of Bath works on his design for a vertical climbing robot

May – Mechanical Engineering student Robert Ford of University of Bath works on his design for a vertical climbing robot

Student  Noel Kwan poses for the Humanities and Social Sciences prospectus for University of Bath

June – Student Noel Kwan poses for the Humanities and Social Sciences prospectus for University of Bath

Hundreds of new University of Bath graduates spill from Bath Abbey to be greeted by friends and family members

July – Hundreds of new University of Bath graduates spill from Bath Abbey to be greeted by friends and family members

A street at dusk in the historic part of Hall in Tirol

August – Finally, a holiday in Austria and I get to take pretty pictures of picturesque streets

Business portrait of Andy Harriss

September – Andy Harris of Rookery Software Ltd is a man every bit as interesting as his hair

Eight-year-old Scout Adam Henderson concentrates on packing customer bags for charity at Tesco's store in Salisbury

October – Eight-year-old Scout Adam Henderson concentrates on packing customer bags for charity at Tesco’s store in Salisbury

Chef John Melican stands at a farm gate with the sign PLEASE SHUT GATE nailed to it

November – A fresh portrait for chef John Melican’s new Melican’s Events website

Yarn-bombed tree in Melksham, Wiltshire

December – On the way back to the car from a job in Melksham I couldn’t resist a shot of this yarn-bombed tree in the December sunshine

 

 

 

The News Itch

Sometimes I hanker after the good old days when I was rushing about covering news events. Of course most of it was pretty mundane stuff (community group cheque presentations, councillors on self-promoting visits to local Scout clubs and so on), but covering Magistrates or Crown Court, while often time-consuming was an interesting challenge. Or a stakeout waiting for some local scallywag to emerge from their last known address, house fires, road traffic accidents… these were not enjoyable, but you felt you were doing a useful job bringing the news to your readers.

Yes, I miss the rush of covering hard news and sometimes I ponder how difficult it would be to start covering local news without the backup of a recognised publication. The problem is, I often spot newsworthy things around my home town of Frome, but there isn’t a local newspaper that would pay for the photos and I’m not prepared to give them away for free to a commercial entity. Instead I occasionally post pictures on my photography Facebook page, and it’s interesting to see how many hits these posts get. It often results in a little spike in visits to the page, which makes me wonder if I shouldn’t be doing more.

Police cordon off an area outside The Cornerhouse pub in Frome, Somerset, after a fight.

It’s not art, but local incidents get little coverage in the papers

Naturally it always comes back to questions of whether I can afford to peel off from whatever task I’m on to go and take pictures of an incident just to share them on my Facebook page, as well as the question of whether, as an individual without the remit of a picture editor, I can really justify approaching police and fire officers to get the necessary details for the caption and gain the access required to get pictures which fully tell the story.

At least when I was a card-carrying press man I had something which said “within the constraints of the law and my professional codes of conduct, I have a right to be here taking photos.” I find it harder to do now that I’m just another bloke with a camera.

With the local publications increasingly ignoring the difficult-to-get or the stories breaking out of hours, I suspect I’ll find myself taking more pictures of the things which happen around my town. I’ll rely on experience and training to know what I can cover and how far I can push my access, because lord knows I have no interest in getting arrested or punched, but if you want to see how I get on and keep up with what I do, you can always Like my Facebook page or keep an eye on this blog.

If you’re like-minded and local, why not get in touch? It might come to nothing, but you never know, we might be the start of a new publishing empire!

Yes, you herd…

Sometimes my job can be quite mucky, and one recent commission was especially so.

I was booked to shoot portraits of a couple of Somerset farmers who were nominated for a national dairy award. The forecast for the next day was dull but dry. The thing is, when I woke up it was dull alright, but it was lashing with rain. The weather and the roads were so filthy that on my way to the first farm my windscreen wipers were shifting muddy spray as well as the rain, but I was on a deadline so couldn’t reschedule.

The brief was to get a selection of shots of each farmer, perhaps at the gate, but certainly with some evidence of their herd behind them. In both cases, because of the time of year and especially because of the weather, this meant the herds would be in sheds. Probably not the best of photographic situations because of the low light inside, made worse by the low light generally.

However, despite the weather, my subjects getting rained on and the animals all being fairly dark colours in dim lighting, I was pleased with the results. It wasn’t easy, but it was helped by the good nature of the farmers and I’d like to thank Alan Creed of Withial Farm near Shepton Mallet and Philip Cotterrell of Warren Farm near Wells for their help and patience when they probably had better things to do. It’s fair to say though, I had some laundry to do when I got home.

Dairy farmer Alan Creed poses in his cow shed with cows visible behind

Alan Creed was very patient with me as I had to wait for a cow to pop her head into just the right spot for the shot to work

Somerset dairy farmer Philip Cotterrell smiles as he is sniffed by one of his cows

Philip Cotterrell is clearly liked by his animals

Dairy farmer Philip Cotterrell smiles at the farm gate as he's surrounded by cows

Despite being soaked with rain, Philip is still smiling in what turned out to be my favourite shot of the day

Fool On The Hill

In July this year I undertook a review of a tripod and part of the exercise required me to take photos of myself using it. I decided the best location for this would be Cley Hill near Frome (very close to Longleat) which would allow me to get dramatic skies in the background.

As anyone local knows, Cley Hill isn’t a huge mountain; it’s not even a huge hill, but it’s big enough and a very steep climb. Which is fine on an ordinary walk, but to get photos of myself using the tripod I had to take two cameras and an extra tripod so I could have a camera on the test tripod and one mounted and aimed at myself to get the self-portraits.

The plan was then to trigger the remote camera using my radio triggers. Which I forgot to take with me. This meant resorting to the self-timer function of the camera, which only gave me 10 seconds to get from the “taking” camera to the one on the test tripod. That’s not easy when you’re trying to line up a shot at the top of a very steep hill, the wind is blowing, and cows are starting to take a close interest in what you’re doing.

I wanted to use evening light to get the best drama from the sky, but what with having to get to the top of the hill and set up, time was ticking by and things weren’t helped by the fact that I had to keep changing my location due to one factor or another.

Once I’d finally found the spot that would work best I was able to get cracking, but 10 seconds isn’t that long when you have to dash up a last steep section to get to the location before the shutter clicked and as you can see from the photos below, I slightly mis-judged the timer…

Cley Hill cows on a path

Originally I’d wanted to use this hill crest, but the curious cows wouldn’t shift

View of Tim Gander's back as he fails to get into position before the camera fires

I didn’t quite get myself in place in time for this one

Photographer Tim Gander sits with his camera on a tripod on the side of a hill

Just made it, but if I look like I’m panting for breath, that’s because I am

Back view of Time Gander scrabbling into position for a photo on Cley Hill

The light worked better on this set up, but I missed the timer again!

silhouette of photographer Tim Gander atop Cley Hill in Somerset with his camera on a tripod.

Finally! I look like a heroic, adventurous travel photographer. Truth is, I can almost see my house from here

Chocolate zombies and shaving penguins’ bums

It’s always good to get a new client, but when that client happens to make chocolates you know life just got a little sweeter.

James Chocolates approached me a few weeks a go because being based in Somerset they wanted to find a more local photographer than their previous one (based in Essex) with whom they could build a relationship. I had a conversation with their marketing man Matt and took delivery of the first batch of these quirky chocolates to shoot.

Product photography isn’t my bread and butter, but having discussed my client’s requirements I knew I could help. I was pleased with the results from the first batch and more importantly, Matt and his designer were pleased too. Aware of what the designer needed to do with the photos once I’d delivered them I made sure I got feedback from the client and the designer to ensure I was presenting them with what they deeded and making the designer’s life as easy as possible.

With a few minor tweaks to the set-up I was presented with a larger second batch to tackle which included chocolate lollies for Halloween and Christmas treats. The results of the Halloween shoot are already in sales literature, and the Christmas one is underway.

Halloween chocolate lollies

Spooky Halloween chocolate lollies! Woooo!

One particularly tricky product to shoot was a selection bag which included a couple of large chocolate lollies. I wanted these to stand on their stick ends, against the bag and with a little bit of an angle. Chocolate may be sticky, but it’s obviously difficult to attach chocolate objects to other things, especially when trying to attach a top-heavy lolly to a paper bag. I ended up using duct tape on the back of one, and Velcro to hold the other in place against the bag. Hopefully you’ll see the result another time.

The Christmas shoot included mini crackers with chocolate penguins in, but I wanted to make some of the penguin figures stand up as if they were marching out of the crackers, which is where shaving their bums (ok, their feet, but bums is a funnier word!) came in. It occurred to me, while shaving their “bases” with a craft knife, what a curious job I have sometimes and how the obsession to make something look just right can leave me doing strange things.

Work-Life Balance of a Photographer

View from King Alfreds Tower, Somerset

Getting into the Somerset countryside gives me work-life balance

It strikes me that the phrase “work-life balance” was a lot more fashionable just a few years ago. Maybe it’s just my perception that it’s not used so much now, but I also wonder if it was more popular pre-recession, when it was thought the economic wonder would never end and people could carve themselves a bit more leisure time, be more flexible about the work hours they kept and spend more time with family, simultaneously expecting income to remain on an upward curve.

Then The Crash came and everything changed. You work longer to earn less. You work longer to keep your job and seem more indispensable than your colleagues and hope to avoid the chop when jobs are cut. Competition for jobs becomes fiercer and this is much the same for the self-employed.

Being a freelance photographer tends to mean my hours are set by my clients. Of course to a certain extent my hours are dictated by the effort I put into promoting myself which has an impact on how many clients I have. After that, it comes down to when my clients need me.

It’s sometimes quite difficult to explain to people, especially those in salaried positions, the reality of being a freelance, that although I’m self-employed I have very little direct control of my diary.

If I have no bookings I can do what I like; promote myself, go networking, meet new or existing contacts for coffee or go for a long bike ride. But this isn’t an ideal scenario. Networking and bike rides can be done flexibly, but aren’t paid activities. Naturally I hope having coffee with a contact will lead to paid activity, but networking is a long slog and not guaranteed to result in work. Cycling almost never ends in paid activity.

Anyone who works as a freelance, and I think especially photographers and writers, will understand that as far as work-life balance goes, you work when work is offered. And when work isn’t on offer, you work on finding it. Both involve work, neither activity involves the “life” part of work-life balance.

This is no sob-story though. I thoroughly enjoy my work, even if it can seem precarious at times. I chose early on in my career not to sell myself cheap, so my diary rarely bulges with commissions from clients wanting bargain prices over quality. I work with clients who appreciate what I do and are willing to pay fair rates for my work. This means I can earn a living without grinding myself into the dust. It may not give me a luxurious lifestyle, or money for many fripperies and “things” but it does give me occasional leisure time at times when in a salaried position I’d be stuck in an office.

I think I’d call that work-life balance. It has to be. It’s all I have.