Is the gargoyle look in season?

It was around this time last year I blogged about conference photography, and since I’ve just come through another season of them again it seems timely to remind you all what a good photographic opportunity it can be.

When it comes to conferences, it’s easy for an organisation to talk itself out of hiring a professional photographer to cover the event (that’s assuming they’ve given photography any thought at all).

If you’re considering a conference you might dismiss the need for professional coverage for two main reasons:

  1. To hire a photographer for the duration of a conference is a relatively large up-front cost
  2. It’s easy to snap some pics of people talking and delegates listening, isn’t it? So collar the keen camera owner from within your own ranks and set them the task because it’s cost-free. Supposedly.

The answer to the first question is that while it is an up-front cost, that cost is often out-weighed by the value of the images delivered because you’ll have pictures to use for all kinds of post-event PR, and the eventual cost of individual images will be very low. I’m talking a few £s each, if covered properly. With quality coverage you’ll have a good selection of shots you can use repeatedly.

Conferences are also often the only time key individuals of an organisation are together, so it’s worth seeing what headshots and other useful non-conference images can be garnered to get even greater value from the photographer’s fee. Don’t go mad of course, the photographer has to spend time dealing with all the images afterwards, but properly built into the brief in advance you should be able to get more than just conference photos from the conference.

The answer to the second question is that it’s harder than you might think. You’ll see some people (professionals and amateurs alike) attempting to use whatever lighting is available, which will be whatever crazy-coloured lights the AV guys fancy throwing onto the stage. It might (might!) look OK on video, but generally looks pants in stills.

To avoid the ‘purple gargoyle’ look, and to avoid trying to shoot at 3,200 asa for bullet-like grain and still getting camera-shake, some photographers then resort to sticking a flash on top of their camera. Oh dear. Now we have white-out faces and shocking outline shadows around the speakers.

I work differently. Using my own portable flash system I ensure speakers are properly lit. Very often I can set it so that not only the speaker is lit nicely, but also their slide presentation is still visible too. It’s not always possible to do that as it depends on the venue and staging arrangements, but the focus is always on generating high quality images for the client.

If a staff member has shot the pictures, that’s someone taken away from their useful duties to perform a task they’re not up to doing competently and you’re left with unusable images, with no PR value at all.

This is why, when planning a conference and its coverage, you need to pick a professional photographer and one that knows what they’re doing.

In the past couple of months I’ve been busy with conferences for the likes of Regen South West and the Digital Curation Centre’s international conference. I’m posting some key images here so you can see how while a conference image may not make it to the walls of a gallery, neither does it have to be a comedy of photographic errors…

Conference speaker on video monitor.

Finding interesting views of speakers helps add variety to the picture set.

Conference speaker on video monitor.

Well-placed flash replaces the AV lighting which is often ugly

 

You can now see a fuller set of images from the Digital Curation Centre conference in Bristol here.

Case Study: The Photo Call

Rebecca Adlington

This photo call test shot of Rebecca Adlington was more interesting than the shot the PR lined up for us.

Since the majority of my work now involves working directly with companies on their corporate photography, I don’t get to do so many photo calls as I once did. Besides which, photo calls aren’t so popular as they once were.

Back when I was on staff at The Portsmouth News, and subsequently when I freelanced for national newspapers and agencies, photo calls were generally used by police forces for missing persons appeals or during a crime investigation. It was one way to control how much information got out to the press. Other photo calls would be for a new theatre production, a gallery opening, book signing or product launch. Anything really where a few different publications and maybe TV and radio would be invited along to help publicise something.

Though they are less common for PR uses, the police still use photo calls. For PR they can be a bit tricky to manage effectively, and if managed too effectively everyone ends up with the same stagey photo. Often a PR will do better to get some decent shots taken by a single photographer and send those out with the press release than have a room full of clever-clogs press photographers managing to make something amusing out of the wording or shapes on the wall behind the main speaker’s head. I’d still argue that press coverage is press coverage, and if the pictures are too sterile they’ll get no news space at all. You takes your pick…

Perhaps the other reason photo calls are out of favour is that newspapers have let so many staff photographers go, and cut freelance budgets so far, that they simply don’t have the resources to send someone along to an event which might take them out of circulation for over an hour while they’re wooed by PRs, held up by shifting timetables and badly planned itineraries and then have to be dragged away from the canapes and free drinks to go to the next cheque presentation.

It’s easier for a paper to wait for a finished press release, complete with photo, to waft into the newsroom so they

Martine McCutcheon book signing Harrods

Martine McCutcheon wrote a book about the first ten minutes of her life.

can add a reporter’s byline and publish the story and photo verbatim. Job done.

The photo call used to be a good chance for me to catch up with fellow “smudgers” from other agencies and newspapers, but on the rare occasion I am sent to one now I tend to find myself in the company of people who have a camera, but no real clue.

It may be that as new media channels open up, and quality returns to journalism (I happen to believe and hope that tablet computers may be the dawn of a return to quality content) the photo call will make something of a comeback, though I suspect it may be dead for good/better.

Case Study: Conference Photography

Conference venues have had a rough time in recent years. Events can be expensive to run, and sometimes they’re expensive to attend, so where businesses have dared spend the money at all, they’ve often seen photography as a luxury bolt-on.

In my role as conference photographer I noticed a decline in appetite for this particular service in 2008/2009, but looking back over 2010 I’d say demand has increased again.

Getting quality photography at a conference has often been pretty low on organisers’ lists of priorities – that is until the conference is over and someone wants to “PR” the event. At which point they discover that all they have are some iPhone snaps which aren’t much use for anything at all except maybe viewing on an iPhone.

scientist delivering conference presentation

Balancing lighting on the speaker and their presentation takes some effort.

I can tell a client hasn’t given too much thought to photography prior to the event when I get the call the week before it’s due to happen to ask if I’m available and what the cost would be. They booked the venue about a year in advance. They booked the speakers, sound, lighting, video, staging, caterers, cleaners door staff etc etc. And (relatively speaking) at 5 minutes to midnight, somebody thought: “Oh! I think we might want some pictures from this event!”

Now I applaud these people for thinking so far in advance because as I said, some don’t think of it until the event is over, by which time it’s a bit too late to go back in time to shoot what should have been shot in the first place.

So if your organisation is considering a conference, which after all can reap great benefits in public relations, client relations and exchange of ideas with partners and clients, I would urge you to consider the benefits of getting coverage, and of getting that coverage done professionally.

Conferences can be very useful in that unlike most other events or times of the working year, they tend to be the one time when a significant number of staff and executives are in one place at the same time. So think about getting fresh headshots done – a small setup in a side-room or quiet corner is ideal for this.

Regen SW conference debate in Bath

More obscure shots can be useful later on.

A conference with industry-wide or even public interest, has scope for extensive PR. Pictures of key speakers talking passionately at the lectern, or as a panel of experts can add spontaneity to what might otherwise be a dull PR shot. For other PR uses it’s handy to get a relaxed portrait of key speakers at the venue, perhaps with relevant props visible in the shot.

Employing a professional (like wot I is) means not only will you get the vital shots you need, but you’ll get quick turnaround and you’ll also get the shots you never even realised you needed. Those little details that others would walk past, but which come in handy for future uses such as brochures, annual reports etc.

Of course you might find you have a keen photographer amongst your staff, but do they know how to handle the difficult lighting at these events? Balancing light on the speaker with the slide behind them isn’t always easy. They’ll also tend to miss the details I mentioned, and they often can’t turn the work around quickly. Finally, using a member of staff is all very well, but shouldn’t they be paying attention to the conference rather than the settings on their camera?

I cover conferences of all sizes, taking pictures which clients can then use for internal and external communications, press releases, websites, brochures, future presentations; the list is limited only by one’s imagination. In terms of cost, the photography has to be one of the better value ingredients of a good conference. The food can only be eaten once, while the photography can be used again and again, long after the taste of plastic ham sandwiches and greasy tea has passed.