One of the things I enjoy about what I do is the variety. Most of my work involves business portraits or people doing things in business, but every now and then I get called upon to shoot something unexpected. Something, for example, like cows in a field. Straightforward enough, you’d think, but when you need the shot to be used as a very large, very wide, narrow banner, and you not only need the cows in the shot, but a building and some park land in the background, the tricky-factor mounts up.

In May 2009 I was asked by National Trust to engineer exactly such a shot at Kingston Lacy in Dorset to show off their Devon Red herd that they rear there.

Having spoken to the designer who was putting the banner together (I should add the finished, vinyl banner ended up around 3 metres wide), I knew what arrangement would work, but these animals can only be herded to a certain extent and the herdsman who brought the cattle into the field for me early on the morning of the shoot had other things to get on with that day.

So there I was, alone with a field of cows, trying to work out how to get this one shot that would work. No assistant with me, I put the camera on a tripod having decided what the background needed to be, and then worked on the foreground – the cows.

At first, there were far too many animals in the shot. They were blocking out the view beyond, but then my luck changed. Some got bored and started to wander off, which then made me panic as I thought they might all walk away and I’d be left trying to herd these animals back into my scene single-handed.

Thankfully, some were obviously more into having their picture taken than others, and just the right number stayed behind. The calves settled down into the lush grass, and the adults got themselves into a line, but put their heads down to munch.

This still wasn’t quite right. I needed their heads up and turned in my direction, but how do you get a cow to look up? So I got my house keys out, took a furtive look around me, and started to, um, dance. Yes, I danced like a loon, rattling my keys in the air, to get the bovine models to look up.

 The result worked a treat. They must have thought I was mad. Luckily visitors hadn’t started arriving at the house, so my performance was only seen by cows and birds.

You might look at the final result and assume I did some Photoshop to get the cows in that line and looking the right way, but the frame you see is the frame I took, minus the top and bottom crop. Job done, one happy client, and the cows looked pretty chipper too.

If you visit Kingston Lacy, do visit the restaurant and maybe try a Devon Red steak…

This wasn’t looking good…

Years of dance training finally paid off as I got the cows to look up. Click to see big.