Staying Sharp

If you think staying sharp is kind of essential for a photographer, you’re right. And not just in the sense of getting pictures in focus, though that’s important too.

Staying sharp is what all professionals must do, regardless of their field. However with a year-long (on and off) lockdown drawing to a close, I’d come to realise I wasn’t as sharp as I needed to be.

First glimmers of work

Back in March I was aware that client enquiries were just starting to pick up again. Hooray! Except that against all my best efforts, I’d really not been shooting as much as I needed in order to keep my skills honed. So I got in touch with my son-in-law (honorary title, but it’s how I consider him) to ask if I could come over and make some pictures of him at work. He’s a car mechanic – a very good car mechanic – and I needed a subject that would give me a challenge – poor/changeable lighting, moving subject, having to be aware of my surroundings.

Film, of course!

Jake very kindly agreed, so I ended up shooting a couple of sessions on different days at his lockup just outside Frome. Oh and just to give myself an additional challenge, I shot a mixture of 35mm and medium format film. Ok, so I did that for the fun factor too, but also I knew it would really suit the aesthetics of Jake’s work place, with all the grime and textures inevitable in a working mechanic’s workshop.

The images here are a small selection of those I ended up posting to Instagram (@takeagander) so you can check out more of them there.

By the way, picking up on the motoring metaphor, work in the last few weeks has gone from 0 – 60 in record time. I’m glad I took the opportunity to re-sharpen my skills, but I miss the relative tranquility of pleasing myself with nothing more than a couple of cameras and a bag load of film.

 

A Visit to the Barber

This isn’t about getting my hair cut, though my pre-Christmas trim is starting to get unruly. No, this article is about a quick trip I made to the Barber Institute of Fine Arts between Christmas and New Year.

As I said in my previous article, my intention is to make it to more exhibitions this year, but I’m not making this exclusive to photography. Any decent photographer will tell you they draw inspiration from other forms of art; notably painting, though sculpture and other art forms can also inspire. And so what if I’m just a humble corporate photographer? It’s incredibly useful to refresh my understanding of light and its effect on the emphasis of a portrait or scene. Plus, I love art.

If you’re not familiar with the Barber, it’s located within the campus complex of Birmingham University. The building itself, in particular the interior, is a splendour of Art Deco marble, brass and wonderfulness and well worth a visit in its own right, but within the collection you can view, free of charge (we made a donation), works of art by the likes of Manet, Turner, Monet, Picasso and many more. I highly recommend it.

When visiting galleries, I tend to avoid taking photos within the gallery space, even where it is allowed. I’m there to observe, enjoy and learn, not interpret or, more crucially, get in other people’s way. The photo you see here is of a light shining through the window in a door to one of the institute’s lecture theatres, which I took before entering the gallery space. So on this visit I sated my urge to click the shutter, without breaking my personal rule.

I’m not sure when I’ll next get to any kind of gallery, perhaps the Martin Par Foundation for a dose of photography, but I hope to get back to the Barber to really soak up some of what I saw last time. Don’t you find it takes a few trips to really understand a large collection?

So, what I said before…

Only the post before last I posed the question of whether or not I ever stop. Thinking about photography, that is, and the answer surely is confirmed as a resounding NO.

At the end of that post I mentioned the rolls of film I was waiting to process from my holiday in South West Brittany, France, and just writing that line gave me the uncontrollable urge to get those rolls processed. So I processed them and here are the results.

Looking at these photos you might assume I had a rather peculiar holiday, but I actually really enjoyed it. But when I take pictures in my down time, I’m still working on approaches and processes. It’s a constant exercise in “how about” and “what if I”. I’m also developing a new method of digitising film, which will be useful when it comes to putting the Saxonvale book together, so a definite research angle too.

On this occasion I was working with basic kit, with a single stock of film, and exploiting the properties of the film to get a very graphic look from what I shot. This in turn influenced what I photographed and here’s a gallery of some of the results.

For those with the technical interest, these were all taken on a Canon EOS 1N camera with a 40mm lens, using Kodak Tri-X 400 rated at 800iso and push processed in Rodinol. A classic combination of film and developer which yields beautiful results.

Holiday over, back to work.