Tim Gander’s photography blog.

 by Tim Gander

Get me a coffee!

Last week I spoke about the tentative shoots of recovery as I was starting to receive enquiries and bookings again, but I did temper this with a word of caution that times would be tricky for a while yet.

What this means for many, including myself, is a constant process of working out what’s next and how we can keep going. For my part I’ve already made quite a few adjustments and will have to continue to find new ways of working and earning until the economy recovers, whenever that might be.

Lowering Costs

One fortuitous decision I took at the tail end of last year was to quit the office I’d been renting for the previous 8 years and convert an outhouse at home into a workspace, nicknamed The Bunker. Perhaps I had some incredible foresight into future events because it’s been one of the most beneficial decisions I’ve taken in a long time. Now I’m working rent-free, claiming additional work-from-home tax allowances and I have an editing space designed to my needs.

During lockdown it’s also meant I had an office which opens onto my garden, which has helped save my soul.

Diversifying

I’ve also finally ventured into video. Adding a new skill will make me more valuable to my existing and future clients. It’s also really interesting and creative in a way I hadn’t expected, and allows me to play with sound, which has always been a fascination of mine. I’ve already had enquiries about that, so I’m hopeful it will prove beneficial to my clients.

Rattling the Tin

On the flip side of my client work are my personal projects, which are so vital to my practice. These have obviously suffered through lockdown, but I’m starting them up again as best I can.

There is a challenge here though; personal projects have always been partially funded through client work, which is, as I say, tentative.

Tentative also describes the level of print sales through takeagander.co.uk. These were always a longer-term goal as it’s tough to build them up, so currently they’re not supporting the personal work either.

So I’ve set up a ko-fi account (ko-fi.com/takeagander) where people can support me with small donations if they’re not ready to buy a print. The takeagander website is peppered with “Buy me a coffee” buttons which take you to the donation page. Even the smallest amount will help, so do please spread the word by sharing the link far and wide. And of course you can make a donation here too if you’d like to support my work.

Currently I have a modest £100.00 goal to raise money for film which is already 30% funded. Since it’s only been up a short while, that’s astounding! This will be used for my current project, an un-sentimental journey across Salisbury Plain.

Black and white photo of a farm tanker parked on the edge of a field with a mettled track leading past and to the horizon on a sunny evening.
From my current personal project, Salisbury Plain.

More to Come

Other plans are afoot, but too early to reveal yet. So to get early notice of developments, keep watching this space, or sign up to my newsletter at takeagander.co.uk. You can also see projects unfolding at takeagander on Instagram.

Also, feel free to drop me a line, comment here, or send a carrier pigeon. Moral support really is just as welcome as the financial assistance.

It’s going to be a bumpy ride for all of us, so I’ll keep saying this; if there is some way I can help you and your business, drop me a line and let’s see if we can’t make the road ahead a little smoother.

in My News / Personal Opinion / Personal Work 0 comments
 by Tim Gander

First Shoots of Recovery?

“Ok, here’s the future – everything is going to be fantastic. Business will pick up again” is what I wrote only last week.

Now I don’t wish to jinx what is clearly a very tentative, timid signal, but I am starting to get more bookings again, which is just fantastic!

Of course it’s early days and there will be tough times ahead. I think things will continue to be difficult and unpredictable for at least the next 12 months. I also think that the businesses which want to survive and thrive will keep on top of their marketing and this will involve fresh photography.

That businesses are starting to re-focus on the future is particularly encouraging, so let’s keep this week’s post brief and positive.

If you’re thinking in terms of getting your website bang-up-to-date or looking for an opportunity to get some PR going, drop me a line.

We can do this together.

in Industry Comment / My News 0 comments
 by Tim Gander

Looking back, Looking Forward

One aspect of blogging regularly is that, as with a diary, you have a record of your past preoccupations.

In these turbulent times that could be a comfort, perhaps, but it can also be weird.

For example, as I was working out what to write today I found myself looking back at pre-pandemic posts and thinking, “Wow! I really had no idea what was coming.”

Which lead me to darker thoughts about whether we’ll get to look back on this time from some sunny uplands, or whether even this will start to look like some halcyon dream.

Of course I hope for the former, but listening to Norman Lamont on the radio yesterday, talking about how we’ll have to pay down the debt we’re currently running up, I couldn’t help wondering if we’ll be able to do that before the next pandemic. Or maybe China will blow up, or Kanye West will become President of the USA and World markets will decide to crash just for the sake of it.

Good grief! This post got awful dark, awful quick.

Ok, here’s the future – everything is going to be fantastic. Business will pick up again, green technology will mean the planet is saved, and all that debt? Well if every country in the world is up to its neck in debt, we just have to find the person we owe the money to and ask them to play nice or else.

Now I’ve either predicted the future, or jinxed it completely. Don’t blame me though, start with the guy we owe all that money to.

in Personal Opinion / Uncategorized 0 comments
 by Tim Gander

My Personal Plain

Casual visitors to my website might be a bit confused if they read my blog. I’m supposed to be all Mr Corporate Headshot, Mr Corporate Comms and so on, yet my blog is often about my personal work.

Certainly SEO “experts” would have a thing or two to say about the fact that I’m not plugging the corporate work week-in, week-out, but I’m not sure they understand photography (or people), which in my view is a bit of a shortcoming.

Those experts will presumably have some understanding of search engine algorithms, but I’m more interested in posting material which allows potential clients a more three-dimensional view of my practice.

Which is why this week I am posting pictures from Salisbury Plain*, my current personal project.

After months of barely leaving the house, I was so pleased to be able to get back on the project and I’m happy to share a few of the latest results with you. Some, if not all of these, will be made available as fine art prints via my takeagander website where you can see more images from this project which I made before lockdown.

Scene from Salisbury Plain, June 2020.
Scene from Salisbury Plain, June 2020.
Scene from Salisbury Plain, June 2020.
Scene from Salisbury Plain, June 2020.

But given that this blog often veers away from the pure business of corporate communications work, how does a project like this help potential clients choose me over the next photographer? Why do I post personal work here? Let’s turn that around and ask, “What kind of photographer would I be if I didn’t do personal projects?”

Go to a dozen photographer websites and the majority will tell you at some point just how passionate they are about photography. All too often this doesn’t show through their work. I believe they are passionate about being a photographer, but mostly because they like having, or being seen with, cameras. There’s a chasm of distinction between being genuinely passionate about photography, and liking taking pictures (or liking owning nice camera gear).

My personal work is mostly shot on film using a variety of relatively low-tech, often un-glamorous cameras, because photography is the important part to me, not owning the gear or being seen to have the latest equipment. Working this way is also part of my “keep fit” regime in that it keeps my photographic eye honed even during quieter periods (lockdown being an extreme example).

In a world where “everyone’s a photographer” my passion isn’t just about being a photographer, it extends to the purpose of photography, its purpose and value to society. Getting heavy now, huh? Sorry, that’s really a whole other blog post there.

Perhaps next time you’re looking to book a photographer other than myself for a job (yes, I do know this happens!), take a look to see what personal projects they’re working on. If there are none, ask yourself if they’re genuinely as passionate as they say they are.

*I haven’t yet settled on a permanent title. I’m passionate about finding a good one.

in Industry Comment / My News / Personal Work 0 comments
 by Tim Gander

Latest Covid Update for Clients

15th June 2020.

Welcome to the new Covid Updates post (replacing the article published 30th March which you can still see here if you wish).

This post is designed to give you the latest information on where I am with regards my trading position and more importantly, my approach to working with clients as more businesses look to re-engage and get their corporate photography and video organised.

My Trading Position.

I’m still solvent and trading and looking stable for the foreseeable future. I’ve added a video service (please enquire), which means I can help you in more ways than before. All my image delivery systems are paid-up and fully functioning, so you can continue to access your online photo libraries with confidence.

Safety.

Of course I’m looking forward to working with high-quality clients once again, but this has to be safe for all involved.

Photography and video sessions will require a greater level of planning than before, which will probably require greater lead times. It’s possible some styles and types of photography will remain difficult, even impossible, for a while yet. Speak to me about what you’re hoping to achieve and we’ll work it through together.

Before attending your place of work I will need to be briefed on your safety measures and procedures.

Please bear in mind that carrying photographic equipment along with backdrops, lighting and stands can result in many more touch-points than might normally be expected. Where in the past clients have helped carry bags, this may not be appropriate. More comprehensive planning will allow me to do this safely. In some cases I will recommend a change in approach, which might mean your pictures won’t match with previously-taken sets. We’ll have to work and think differently for a while.

Set-up times will be extended and we will need to build this into the timings.

I will be using face coverings while working. They are not medical-grade, but will reduce the risk of me spreading coronavirus (assuming I have it and am asymptomatic – please see below for more on this).

I will bring my own alcohol hand gel, but please ensure there is ample access to hand washing facilities and hand gel and make sure I know where these facilities are.

If I feel I am starting to show symptoms of coronavirus prior to a job, I will do everything I can to ensure your event is covered by an alternative photographer, or we can re-arrange the date. Of course this virus can develop symptoms quickly and last-minute changes may be unavoidable. Likewise, if you or anyone in your team starts to show symptoms, please do not hesitate to let me know.

Postponements and cancellations.

I will work closely with you in the run-up to the photo session. If a cancellation or postponement becomes necessary for either party, we can discuss and agree the best way forward. I will do all I can to help. As a rule I charge the full assignment fee on jobs cancelled less than 24 hours prior to commencement, but I will take a view of this on a case-by-case basis.

My clients are my priority.

I will do everything I can to help you through this weird and challenging time and to get the imagery you need for all your visual communications, but I can help in other ways too. I’m here to help if you need to kick ideas around, or with reviewing your current imagery to see where improvements might be necessary. Steps such as this can mean that once you’re ready to go ahead with your next project, we’ve already done the groundwork.

In the meantime, keep well, stay safe and I look forward to working with you soon.

 

Tim

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 by Tim Gander

Because History Matters

Last Sunday there was a Black Lives Matter rally in my home town and I felt a strange compulsion to cover it as a photographer. Strange because I normally shy away from large gatherings for personal work.

However I support the aims of the BLM cause, and I also felt that since this movement had resonated all the way to the relatively small, rural town of Frome in Somerset, the local story should be told too.

Because no one was paying me to go I decided I would shoot black and white film. There was another motivation for this – given that in 100 years’ time it’s possible that digital images of today will be inaccessible, perhaps shooting on film would present an insurance against digital degradation. Future generations would be able to see us, in protest, working to change the future.

I approached the rally as if I had been commissioned by my local paper, creating a mini series of images suitable for a double page spread. That would give me a structure to work to beyond just taking a random set of pictures, so I prepared my kit, loaded film and set off.

At first I didn’t think many people would be there. The weather was cold and wet, social distancing is still in place, and I hadn’t seen much publicity for the event. However as the start time approached, people arrived in reassuringly high numbers.

There was one particular shot I knew I needed to get to justify my un-commissioned intrusion and it’s the photo I had in mind from the moment I decided to attend. It’s the final shot in this gallery and I was the only photographer with the foresight to capture it.

A male protester wearing a black mask carries a placard which reads "Silence gives consent. Black lives matter". A banner on the building behind him reads "Enough is enough."
Black Lives Matter rally, Saturday 6th June 2020
People get their masks on prior to the start of the rally.
Black Lives Matter rally, Saturday 6th June 2020
A stylish young woman in a dark, wide-brimmed hat and white face mask hold a banner which reads, "I understand that I will never understand. But I stand"
Black Lives Matter rally, Saturday 6th June 2020
Black Lives Matter rally, Saturday 6th June 2020
An older female protestor carries a piece of cardboard on which is written, "I can't breathe"
Black Lives Matter rally, Saturday 6th June 2020
Black Lives Matter rally, Saturday 6th June 2020
A young protester carries a large cardboard sign which has an extended hand-written protest text on it.
Black Lives Matter rally, Saturday 6th June 2020
Groups of people and individuals take the knee in Frome's Cheese and Grain car park in honour of George Floyd who was killed by police two weeks ago in the US.
Black Lives Matter rally, Saturday 6th June 2020
Frome's town centre car park is attended by more than 100 residents all taking the knee in honour of George Floyd.
Black Lives Matter rally, Saturday 6th June 2020

After the event I decided to turn the pictures around as fast as I could and I posted that last frame to the Frome Facebook page. To say the reaction was intense is an understatement. I don’t think I’ve ever had an image be so widely liked and shared online ever.

Screengrab from the Frome Facebook page posting

Perhaps it is a shame I wasn’t commissioned to go, but I’m glad I did because if such big stories are left to random photos on individuals’ iPhones, there is a risk no permanent record will exist for future historians and generations to refer back to.

In fact I bought this week’s local paper to see how they covered the story.

They didn’t.

in Industry Comment / Personal Work 0 comments
 by Tim Gander

On Being a Photographer

“Never Too Old to Learn” is the title of one of the assignments from the newspaper photography course I attended back in 1992.

I remember it particularly well because I ended up contriving a story in which a grandmother was learning to fly helicopters. Of course she wasn’t actually learning to fly helicopters, but since this was just an exercise in illustration it didn’t have to be a true story.

I found a suitably elderly model and a suitably cooperative helicopter pilot, put the two together and took some shots which worked pretty well. All lies, but it fulfilled the purpose of the assignment and the grandmother had a blast.

The reason I’m reminded of this particular college assignment now is because I’ve just bought a copy of “On Being A Photographer” by David Hurn and Bill Jay. Even as a photographer with 30+ years in his back pocket, I still expect to learn a great deal from reading this book.

Cover photo of On Being A Photographer
On Being A Photographer

The other college-days connection here is that David Hurn founded the School of Documentary Photography in Newport. I went to Stradbroke college in Sheffield because that was where budding newspaper photographers went if they wanted to get into the industry. Us Stradbrokers would scoff at the Newport photographers because they had a reputation for swanning about in desert boots while carrying Billingham bags and dreams of shooting for National Geographic.

We were “the real photographers” who would all go on to work for The Independent or Observer magazine, covering conflict and strife around the globe. In reality Newport was a very fine college (the very best for photo-documentary training) and we had as much chance of fulfilling our perceived destinies as those who went to Newport. In other words, not much chance at all.

Actually, most of us did at least make it on to local and regional papers and one or two of us worked with national titles. Even now, one or two of our cohort are still working (albeit occasionally) for international titles.

But Stradbroke for me was 28 years ago. So why have I gone back to the books? In particular one written by the founder of a course I disparaged at the time? Simple; I’ve grown up. I’ve changed and I continue to change. I’m always looking at new sources of inspiration and solid foundations for new knowledge. I slightly wish I’d been able to go to Newport, even better go to Newport AND Stradbroke; that would have been incredible, but it wasn’t possible.

On Being A Photographer has a particular focus on the kind of work I do in my personal projects now and in this regard it will prove invaluable. I know I’ll learn new, better approaches and I’ll have a clearer understanding of how a photo essay should be approached.

It might take me another 30 years, but I hope this book will put me on the path to being a better documentary photographer. I’ll have to let you know how it goes.

 

in Industry Comment / My News / Personal Work / Uncategorized 4 comments
 by Tim Gander

I’ll Make These b****y Pictures Move!

There is a vague recollection in the furthest reaches of my mind of my dad making a joke about “moving pictures” while shaking a photo up and down in his hand. It involved the “b” word and was very funny. You had to be there.

Which brings me in the clunkiest way possible to the announcement that I have added moving pictures to my suite of client services. They’ll even have sound! And they’ll be in glorious colour (actually, black and white is also an option, but let’s not get ahead of ourselves).

Yes, lockdown has given me the opportunity to learn a huge amount about shooting video, recording sound and using editing software to bring it all together. I’m not going to pretend I’m the next Martin Scorsese, I still have much to learn, but I’ve used the time to get the basics nailed down.

My focus will be on corporate testimonials, talking heads and interview pieces, giving businesses the material they need to keep putting fresh material out on social media. I think video is well suited to this kind of use and will help my clients communicate more effectively than they might with just a text-based blog.

To give myself material with which to practice camera settings, focus, exposure, colour balance, sound recording, editing, and so on, I shot a short film at home using the best model I could find in my house (my wife). She did a fantastic job, and while the result is probably not what you would call corporate style, it demonstrates much of what I’ve learned in this exercise. You can see the film here.

The result is just over 4 minutes long and it’s entitled A SHEDx Talk with Dr Helen Roberts. I hope you get a few minutes to watch it, because the feedback I’ve had so far has been that it is calming, soothing and inspiring!

Dr Helen Roberts delivers her SHEDx talk.

 

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 by Tim Gander

PR Photography in Lockdown

In my recent article Measured Success I described how a couple of simple items, a tape measure and chalk, allowed me to work a public relations photoshoot and still keep everyone safe.

This week I thought I’d share a bit more about that job with you.

The client was Seko Logistics, who had undertaken to deliver free personal protective equipment (PPE), supplied by Alexandra Workwear, to all 69 care homes in The Order of St John Care Trust group, starting with their home in Thornbury, Bristol.

Now this was never going to make the tight group shot I would normally aim to produce, but given the circumstances I felt the distancing between the people in the photo would not only keep everyone safe, but would also help make the picture visually interesting.

The light was difficult (when isn’t it?), so I had to put up a couple of high powered studio flash units. Without them the people’s faces would have been silhouetted and I also wanted to pick out some detail of the building too. The only giveaway is the shadow of the care nurse which runs contra to the shadows cast by the sun behind the people and building.

That’s ok though. I’d rather ensure the people were sufficiently lit than have to spend ages trying to wrestle with the exposure levels in post production, which would never have looked as good or had the crisp, colourful impact this image has.

The result is a photo which the client has been able to use not only in their own social media feeds, but which has gone around their various industry publications too. I’m always pleased to see my pictures working hard for a client and I know the client is also pleased with how everything went and the result at the end.

So while organisations will be struggling to balance many conflicting requirements right now, it’s wise to keep an eye out for any stories which your business could put out as a press release. With professional care and execution, it’s still possible to get good PR coverage and raise your business profile with something positive.

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 by Tim Gander

The Most Personal Yet

My regular readers will already be aware of the importance I place on personal photographic projects, without which I don’t think I’d be the photographer I am.

For the most part I tend to use film for this work because I prefer the change in workflow. However lockdown has presented its own challenges. With limited funds, do I keep shooting film, or save it for when I can next visit Salisbury Plain?

And without the ability to roam about taking the pictures I would normally look for in a personal project, I’ve retreated to the most personal subject of all, my own home life.

Yes I have shot some film, but found myself reaching for the digital camera and developing a new theme: The Home Front.

The Home Front is my deeply personal reaction against the war rhetoric which has been liberally applied to the Covid-19 crisis, in particular by our politicians. I’m a firm believer in the importance of language and how it is used, and since we are not at war, I find it inappropriate to use conflict terminology now.

Apart from anything else I believe it sets a combative tone in the national psyche, and this can have unintended consequences in society. Too much of the “don’t you know there’s a war on” attitude can lead to unnecessary conflict between individuals, or groups.

What The Home Front sets out to illustrate is that while we are facing undeniably difficult times, there is also a great deal to be thankful for. There is also beauty in the small, normally un-observed corners of domestic life.

I know I’m particularly lucky to have a home with a garden, and to be living with someone who is may absolute first choice of lockdown partner. Not everyone enjoys these simple luxuries, but I wanted to illustrate that whatever one’s situation, we are not being shot at or bombed.

The Home Front has been featuring on my Instagram feed this week, and if you’d like to see the set to the end you’ll either have to follow me there, or keep an eye on my Facebook page. In the meantime, here are a couple of the images posted so far.

Window light casts the shadow of the window frame onto a bright yellow wall. A chair in front of the wall sports a bright, burnt orange cushion.
The Home Front.
A piano in the background with someone's feet in the foreground, wearing yellow socks and resting on the red arm of a comfy chair. I green leaf-pattern lamp hangs above.
Helen on the phone to her parents.
A green leaf of a house plant is back-lit by the sun against a dark grey wall, creating an abstract cameo from a household object.
Late afternoon sun hits the leaf of a house plant.
in Personal Work 0 comments