by Tim Gander

Ta-dah! My new photography website (and blog integration)

It’s possible you’ve noticed this blog has been a little more sporadic than usual these last few weeks, but this  “sparodicness” has been caused by the combination of a major website redesign coupled with work assignments (Manchester was just one destination last week). The more observant among you will also have noticed changes in the way this very blog looks and in time I hope to be able to add more features to make it even more interesting (“how can this be?” I hear the crowd roar…)

Hopefully things will settle back into a pattern now, namely that I’ll publish on a weekly basis except where (as it’s always been) work commitments make this impossible, so thanks for your patience during the construction process and sorry for any inconvenience caused, as builders like to say.

silhouette against blue sky of construction workers lowering a RSJ into place on a building site.

Construction has taken a while, but I hope it’s been worth the effort

Morrissey posed the question “What Difference Does It Make?” and that question is pertinent to my website redesign and you deserve an answer, damn it! In a nutshell, what I’ve needed to do for years is incorporate my blog into my website to make it much easier for visitors to navigate between the two. You’ll notice that unlike my previous blog site, you’re not whisked off to a site separate from my main photography pages. It sounds simple to do this, but it’s taken some doing because at the same time it seemed sensible to redesign the entire website to make it all easier to navigate, informative and with a fresher look.

It’s worth remembering that my site is designed predominantly for people looking to book a commercial, corporate, editorial or PR photographer and the kinds of people who need me often don’t have time for fancy features to load. They need to be able to get in, look at what they need to see and then get in touch, all as smoothly as possible and with minimum fuss. I hope I’ve achieved this.

And in this age of iPhones and tablet computers I thought I’d better make the site responsive too, that is to say it doesn’t fall apart when viewed on a screen smaller than a laptop. All this takes effort and thought and one thing I’ve learned is that NEWS FLASH the web is not a perfect place. You get one aspect of your website right and another aspect keels over. As with anything, unless you have infinite funds you’ll have to compromise here and there. I hope I’ve kept compromise to a minimum and I have to say I’m pleased on the whole with how everything has turned out.

 

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 by Tim Gander

Have Camera, Will Travel

Each year I’ll find myself covering one or two long-distance photographic projects in multiple locations around England and Wales for clients who would rather book me and trust they’ll get consistent results than book a series of photographers with a mixture of styles and approaches and find the results are variable, and already this year I’ve popped over to Essex, Norfolk and up to the West Midlands for a client needing photos of care homes for the elderly.

Last year I travelled as far as Newcastle for a client needing images of scientific research, taking in Bristol, Warwick and Leeds on that particular tour. Throw in a few trips to London and that sums up a typical year’s jobs which are “off-patch.”

I quite enjoy traveling, seeing different places and meeting people from all over the country, but my first tour of this year became a bit of a challenge, especially when I found myself in a hotel just outside Birmingham, monitoring increasingly alarming weather forecasts foretelling of several inches of snow.

Police officer directs traffic in blizzard conditions in Bolton.

Still, I’d rather be a photographer than a policeman!

Indeed, it snowed so hard on the Thursday and Friday of that week that I had to book an extra night in my hotel because to try to travel home on the Friday night would have been folly. Drivers in Gloucester and Somerset were becoming trapped and I didn’t fancy joining them.

I had two sites to visit on the Friday, and while I managed to get to the morning one, it being a 10-minute walk down the road, I had to postpone the afternoon site until the following Monday, meaning yet another hotel booking and more miles to cover.

It’s all part of the job though. Even when the weather isn’t being a nuisance, logistics is part of the job of being a photographer; booking places to stay, making sure I set off in good time to make the appointments, adapting when things don’t go to plan, liaising with the client, and I have to say I get some satisfaction from the task of ultimately fulfilling the brief even when there are big challenges.

Ultimately, my job is to get the pictures the client needs with the minimum amount of fuss, and the pictures must fulfill the brief. They can’t be below-standard just because things don’t go smoothly, though last week’s exterior shots of the homes were a bit of a challenge, everything being carpeted in white. Still, it all looked very pretty.

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 by Tim Gander

Sshhh!

If you don’t tell anyone I didn’t get time to write a blog post this week, I promise not to tell too. Let’s keep it between us and hope I get time for one next week, ok? I’m going to walk away quietly now… don’t look back, just go…

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 by Tim Gander

Boo hiss!

It’s that time of year when I have to do my accounts. If I’m brutally honest, it was that time of year about three months ago, but preparing my accounts is a job so devoid of laughs that I tend to find myself pushing it further and further down my to do list… well if I wrote a to do list, I promise you it would be there, near the bottom.

Espresso coffee on New York Times

How many coffees can I take before I can no longer focus on my receipts?

It’s not that my accounts are especially complicated. Just getting my receipts into order, entering them in a spreadsheet and handing everything over to my accountant. Even he doesn’t think I need to trouble a bookkeeper. Once I get into it, the whole process is pretty quick, it’s just the thought of doing it fills me with dread and I push it on down my (imaginary) to do list.

If you’ve ever seen Black Books, you’ll understand the kind of sentiment I’m expressing here. I’d rather sort my sock drawer than do my accounts.

There was a time when there was at least some entertainment value in the task. When I worked for News of the World it used to tickle my accountant’s imagination when I claimed for things like underwear from Victoria’s Secret (sometimes a necessary purchase when photographing a young lady for a kiss-and-tell story – oh yes, I covered all the important world events). But I haven’t had the opportunity to buy anything vaguely dodgy or fun for a long time, which takes away what little fun there was in this task.

Even writing this blog article is a distraction technique because I was doing my accounts this morning, I just needed a break. And so, after successfully completing one month’s receipts analysis, I treated myself with a coffee break. After another month I felt it was time for lunch. Another month completed after lunch and coffee beckoned again. Then I realised I needed to write a blog for today and nothing was jumping into my head, and yet writing a blog seemed like an excellent way of not doing my accounts.

Only problem is I’m running out of things to say about not doing my accounts and you probably stopped reading about three paragraphs ago. Dammit… back to the accounts… lalalalalalalala…

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 by Tim Gander

No pixels were harmed…

I have an excellent friend on twitter, @lau_merritt, who has been very supportive of my photography work since I can’t remember when, but certainly since not that long after I joined twitter. I’m sure she was among my first followers.

We keep in touch, re-tweet each other’s posts and I especially appreciate it when she reposts my blog articles… which I have a funny feeling she’ll do today.

Now the other day the subject of photoshopping came up. Lau, a keen amateur photographer, was struggling with some photos she’d taken on a recent trip. She was frustrated that she’d only just got the camera she took with her, hadn’t had time to get to grips with the controls, and had shot in jpeg mode where she’d meant to shoot in RAW.

It was when Lau came to edit the images that the Photoshop fun really started. I received some messages of frustration and Lau felt she was butchering her images. We joked about the slaughter, the sounds of pixels screaming,  red pixels sprayed up the walls – this kind of weird humour appeals to me.

The culmination of our conversation was a rather excellent sketch which Lau drew and which, with her permission, I’m featuring here. After the sketch came the blog article, which you can view by clicking on the photo. I’m hoping for the movie and the musical to be announced soon. The Photoshop Butcher, queue deep, growly voiceover, “In a world where pixels have no meaning, welcome to the slaughter…”

Sketch of a woman butchering photos

Lau’s Photo Butcher – click the photo to see her full article

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 by Tim Gander

Out for the Count

I don’t know when Frome Amateur Boxing Club was built, but judging from its rickety exterior I’d say it was made from the spare timbers Noah didn’t need. The shed that until recently housed the pugilists’ punchbags, weights and general paraphernalia stands precariously behind The Old Church School, the building where my office is based, and when any of the Studio 5 team steps out onto the fire escape for a breath of fresh air, it fills most of the view. Soon, though, it will be knocked down to make way for an extra 20 office units at TOCS. I had hoped to take some shots of the last training sessions before the club vacated to new premises on a trading estate in Frome, but I missed the opportunity and one day found a note in the window explaining that the club had moved. A shame, but I did get to look inside the other week and took a few photos to record the passing of this upside-down ark of a building. And so this week’s article is a mini gallery of some of the images I took. I hope you enjoy them.

Old boxing poster in the former Frome ABC

Ali vs Inoki poster

David Evans of Ghost Limited tries a pair of boxing gloves in the former Frome Amateur Boxing club building

David Evans of Ghost Limited, Studio 5, tries a pair of gloves out

Blackboard with boxers' diet written up

Diet tips for boxers

Boxing club keys with novelty gloves keyring

Would the last person to leave the club building please lock up

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 by Tim Gander

Tear Sheet Tastic

This week I’m simply announcing the launch of a major new gallery on my website, this time featuring photographs as they can be seen within the context of their publication in magazines, books and websites.

Over the last 14 years since I went freelance I’ve had the privilege of working with some top-flight clients on really interesting projects and I thought it was time I used some of my cuttings to give my web visitors and potential clients more of an insight into how my work is used.

The images appear in no particular order, but are generally grouped by client or project so you should get a feel for the different styles of shoot as you go through and of course I’ll be updating it as new work becomes available.

I hope you like what you see, and as ever your comments are welcome.

Preview of the Tear Sheets gallery

Click the preview to be taken directly to the gallery

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 by Tim Gander

The Only Constant is Change

Every now and then I review the way I shoot assignments. From the way I prepare for jobs, through shooting, to editing and delivery of the final images. The changes might be big or small, but they always have the goal of improving my client’s experience.

Sometimes the changes help me, and this also feeds through to the client experience. As an example, a couple of years ago I switched to using the Photoshelter system and away from sending CDs and DVDs of images to clients.

This was a big, scary change for me, but it paid off and clients find it incredibly useful to be able to view, choose and download the images they need directly from the service without having to get back to me to tell me their choices, then wait for me to do the post-production and send out the image disk. And if they ever lose the images, the can download them again.

That was a big change, and that was some time ago. More recent changes have included a move away from using zoom lenses to fixed lenses. The step up in quality is remarkable, and I’ve generally not missed the ability to zoom as I have legs which can take me closer to, or further away from my subject. I actually find it a quicker way of working because I’m not spending time zooming and recomposing my images like I used to do.

I haven’t dumped all my zooms. I keep a very wide zoom for when that’s really needed and a telephoto zoom because it’s useful for press events and it’s more telephoto than my longest fixed lens.

The strangest change of late is that I’ve started using a hand-held light meter more often. Yes, the thing that’s built into all cameras and tells you which aperture and shutter speed to set. You might think that with all the wizardry that’s built into a modern camera you could rely on the internal meter to set the right shutter speed/aperture combination, but I find the metering quite erratic, and there are many times when even the most sophisticated built-in metering system just seems flummoxed by the scene in front of me.

Instead, I find it easier to take a light reading using my Sekonic light meter, then I dial the settings into my camera. A slower way of working, perhaps, but it’s how I always work with studio flash anyway, so what’s the difference?

It might not be the most suitable way of working for faster-paced news events or where the light levels are constantly up and down, but for outside portraits and shots I’m setting up and have more control over it actually saves time and reduces the number of shots I have to take to get correct exposure.

I’m not sure what my next change will be. I’m probably already changing, and won’t even realise it’s a change until it’s complete.

Two portraits of women showing exposure contrast between subject and background

Wherever there is a strong contrast between subject’s skin tone, clothing and background, the built-in metering struggles to give an accurate reading.

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 by Tim Gander

Making an exhibition of myself

Some of you may know I’ve been a regular at the Frome Farmers’ Market at Standerwick for some time now. I’ve been attending as and when my paid work allows on Wednesdays and Fridays (the two market days of the week) to create a photographic record of the workings of the market, the people who work, buy, sell and trade there and their interactions with the livestock.

This is an un-paid personal project which I chose to do because I knew I needed to keep my brain creatively active at times when I tend to be shooting lot of corporate headshots. I chose Standerwick because it’s close-by, so more likely I could get to it at short notice, and because it’s something that interests me.

When I set out to do the project I didn’t have any particular goal in mind except to get along there, see what’s what and see what would come out of it.

Now I’ve started to gather up a fair body of images I’ve decided to move things on a step and have started to look into the possibility of mounting an exhibition of the images. This is a first for me as I’ve never exhibited before, but the idea is quite exciting as it injects new impetus to the project and gives me an end-goal.

This isn’t something that’s going to happen over night and I still need to shoot more pictures in order to complete the narrative which has developed, but I’ve approached one or two likely sponsors (I can’t afford to mount this entirely from my own funds) and things are looking quite positive.

Through this blog I’ll keep you updated on my progress and of course I won’t be shy in announcing the location and dates of the exhibition. Sometime next year and somewhere in Frome is as far as I’ve got.

If any businesses out there would like to talk about sponsorship, or if any photographers with exhibition experience have any advice they’d like to offer, I’ll be delighted to hear from you. As the saying goes, watch this space.

Standerwick Farmers' Market near Frome

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 by Tim Gander

Apologies!

An unexpected call to help with Olympic torch procession coverage meant my regular Tuesday article didn’t get published. I do apologise, I must try harder.

Tim

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