Experiment Time!

Last weekend I had a sudden urge. I dug out my old film camera, found a roll of Fuji film in the fridge (three years out of date, but what the heck) and headed out into miserably wet weather to see what I could find.

To my astonishment, having shot the roll, I discovered Frome Photo Centre still runs a one-hour service, so I headed off for coffee and cake at Paccamora while my film was being processed and printed.

Now I no longer have a film scanner, so had to use a slightly Heath Robinson arrangement to digitise the negatives, and even then they don’t come out as positive images. A bit of work on them in software is required to achieve positives, and the colours aren’t perfect, but it’s a chance to be experimental. See what you think…

The exercise was fun, despite the fact I was soaked by the end. The portrait of Anthony pleases me because it was literally a frame to finish the roll and I used a 30-year-old flash gun to light him, yet it looks so natural. At some point I’ll organise a decent scan of this shot.

I’d like to get back to shooting more film, if only for personal projects, but will probably do black and white rather than colour because I know I can process this myself and get exactly the quality I want. Of course if a client wants a job shot on film, I’ll jump at the chance. For all the benefits of digital, film still has a certain quality about it which digital can’t quite replicate. It would be interesting to talk to a client who wants that difference in their marketing imagery.

As if this wasn’t enough, I decided to pop out on Sunday evening with my friend Nik Jones, a graphic designer based in Frome, to shoot some long-exposure pictures. This time in digital. Nik wanted some pointers on getting photos of trailing car lights, so we headed to a bridge over the Frome bypass.

As a result of that little adventure, I turned a series of still images into this GIF animation using gifmaker.me.

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So my weekend spanned everything from old-school film to new-school animation, and while all this might seem to serve little purpose beyond a weekend’s entertainment and a blog post, exercises like this get me thinking about new approaches and techniques which I can apply to client work. It would certainly be interesting to speak to anyone interested in having either film-based photography on their website or even a GIF. I can think of interesting applications for both.

Reputation Gone in an Instagram

This week’s massive news is that I finally succumbed and upgraded to an iPhone 4s. I know the iPhone 5 is on the horizon and it’ll probably have interchangeable lenses, hover mode and a function for printing money, but I don’t need those things.

However, anyone who thinks I’m behind the times in mobile phonery should consider I got my first mobile in 1990, a barely-pocketable Phillips for which I paid about £500 up-front just so I could make calls at a cost per minute that would make a lawyer envious. I made very few outgoing calls.

You wouldn’t believe the similarities between the iPhone and the Phillips of yore. Both mess up the shape of your smoking jacket when carried in the pocket, and both have a battery life shorter than Jimmie Krankie’s inside leg measurement, but among the thrilling features not found on the Phillips is the camera.

People rave about the iPhone 4s camera and the various apps you can use with it, the most popular being Instagram. With a few friends already using Instagram I had to give it a go and early indications are I will have to watch my step or become hopelessly addicted to photographing flakey old doors, kittens, funny signs and the sun as it shines through translucent leaves, cobwebs and dandelion heads.

I think it’s fair to say though that Instagram is more about the filters and effects than about the content of the images. You can take a photo that previously would have been fit for the bin and make it quirky and interesting by fiddling around with it, adding a vignette and a sepia cast or whatever you fancy.

Is it still photography? Well, yes I suppose it is. It might not be photojournalism. Much of the time it might not even result in an interesting photo, but if photography is about looking at the world in a different way, Instagram seems to be about looking at photography in a different way. I’m not a huge fan of the billions of images uploaded to the web every second of every day, but it’s not a tsunami that will stop any time soon, and I’m now responsible for a small share of that.

Exit road from Longleat with road cones down the centre

Is it art? Who cares?

What iPhonography (yuckword) and apps like Instagram allow me to do though is step outside of being a professional photographer and explore a less serious side. If I wield an SLR people expect me to take great pictures of whatever I’m looking at. With an iPhone I can join the party and use photography as a bit of fun and no one will expect me to produce stunning art. Either that, or they’ll see my Instagram efforts and think it represents my professional work.

Now that I think about it some more, I wonder if that Phillips still works? It might just save my reputation.