rain Archives - Tim Gander, Photographer, Bristol

December 1, 2015 by Tim Gander

Cold, wet and Poldark

Filming for the TV series Poldark is due to start in Frome this week and since yesterday was an admin day (boo hiss paperwork) I took the opportunity to stretch my legs and take a couple of shots in the street where crews are currently at work making sure all signs of modern life are removed or obscured.

The weather was pretty dire with high winds and plenty of rain and I didn’t have a great deal of time to work up a broad selection of photos, but it got me thinking about all the times I’ve ventured out with my camera when the weather is bad – mostly in the past in order to get extreme weather photos for national newspapers.

I still enjoy the challenge of getting pictures in adverse conditions, even if I’m not venturing into the world’s extreme regions. Seeing how people interact and cope with the weather is often interesting in itself. Sometimes the weather is just a distraction, as in the Poldark pictures. Other times it becomes the focus of the story (the 2001 Trooping the Colour is a fine example). More often now the weather is the story, as when there is flooding or gale damage.

Here’s a quick gallery round-up of extreme (or sometimes just mildly difficult) weather photos I’ve done over the years, from Trooping the Colour to yesterday’s preparations for Poldark.

Please click to enlarge and scroll through the photos.

A TV security man stands in the dark of Gentle Street, Frome, at night illuminated by a floodlight.

It's Poldark, wet and quiet on Gentle Street, Frome

Carpenters and set builders at work in Frome's Gentle Street for the filming of Poldark.

Set-building in Gentle Street, Frome

A range Rover is driven at speed through flood water.

November 17, 2015November 17, 2015 by Tim Gander

Experiment Time!

Last weekend I had a sudden urge. I dug out my old film camera, found a roll of Fuji film in the fridge (three years out of date, but what the heck) and headed out into miserably wet weather to see what I could find.

To my astonishment, having shot the roll, I discovered Frome Photo Centre still runs a one-hour service, so I headed off for coffee and cake at Paccamora while my film was being processed and printed.

Now I no longer have a film scanner, so had to use a slightly Heath Robinson arrangement to digitise the negatives, and even then they don’t come out as positive images. A bit of work on them in software is required to achieve positives, and the colours aren’t perfect, but it’s a chance to be experimental. See what you think…

An accordion player on the bridge to the Cheese and Grain market keeps himself and his instrument dry with a brolley and plastic cover.

Accordion to him, rain isn't a problem

A man battles with a multi-coloured umbrella as he walks down a cobbled street in Frome, Somerset.

Man vs Umbrella

Anthony Hick of Assembly Shop poses in his Catherine Hill store with jeans and an old industrial sewing machine around him.

Anthony Hick, Assembly Shop.

Canon EOS-1N with speed grip and 40mm f/2.8 pancake lens attached.

A hefty tool, perfect for harsh conditions

The exercise was fun, despite the fact I was soaked by the end. The portrait of Anthony pleases me because it was literally a frame to finish the roll and I used a 30-year-old flash gun to light him, yet it looks so natural. At some point I’ll organise a decent scan of this shot.

I’d like to get back to shooting more film, if only for personal projects, but will probably do black and white rather than colour because I know I can process this myself and get exactly the quality I want. Of course if a client wants a job shot on film, I’ll jump at the chance. For all the benefits of digital, film still has a certain quality about it which digital can’t quite replicate. It would be interesting to talk to a client who wants that difference in their marketing imagery.

As if this wasn’t enough, I decided to pop out on Sunday evening with my friend Nik Jones, a graphic designer based in Frome, to shoot some long-exposure pictures. This time in digital. Nik wanted some pointers on getting photos of trailing car lights, so we headed to a bridge over the Frome bypass.

As a result of that little adventure, I turned a series of still images into this GIF animation using gifmaker.me.

So my weekend spanned everything from old-school film to new-school animation, and while all this might seem to serve little purpose beyond a weekend’s entertainment and a blog post, exercises like this get me thinking about new approaches and techniques which I can apply to client work. It would certainly be interesting to speak to anyone interested in having either film-based photography on their website or even a GIF. I can think of interesting applications for both.

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June 11, 2012March 10, 2014 by Tim Gander

Here Comes the Rain Again

You need sunshine for an outside pool shot

Do you remember summers? I do, though I have to think back a bit.

I was thinking about this year’s weather and how it affects my work. My conclusion was that it doesn’t affect it as much as it used to, especially when I was shooting holiday park brochures for the likes of Hoseasons and Great British Holiday Parks.

It was always a bit of a struggle to time the shoots on lodge and caravan parks because I would have to organise the dates with the parks I was visiting, then spend a few days at a stretch traveling from one park to another, allowing about a day at each one, taking pictures for each park’s brochure page.

The brief tended to include getting a hero shot of the pool, a selection of caravan interiors and exteriors, the entertainments (daytime and evening), general views of the park and surrounding areas. Mostly these shots required people/models that I would have to find on the park and persuade to be in the shots.

Apart from the interior shots, everything else required a certain amount of sunshine, and I wasn’t always lucky.

One particularly memorable year I found myself in Whitley Bay, rained and fogged in for two days. Having shot all the interiors I possibly could, I waited and waited, but the weather was showing no signs of improving to the point that I gave up and drove home.

The work itself wasn’t entirely without its joys, meeting lovely people and having a bit of a laugh along the way, but it was undeniably long, hard days and when the weather broke down, it could be dispiriting. Often the shoots were timed around May before the holiday season started, so if it wasn’t decent weather it could be quite chilly and not many people around to model for the shots.

After waiting several hours for the fog to lift at one beach, I gave up and got this stock shot instead

If I’d had to shoot parks the last couple of years I think I would have gone slowly insane. Apart from the wasted effort of organising and traveling to parks, once you’ve committed the best part of a week to shooting on location you can’t book in other work. If the weather then wipes out the park work, you’re left with not much more than a couple of wet-weather payments, which don’t add up to a hill of beans.

In addition to all that, there’s the deadline to contend with. A designer would need the images by about the end of June at the latest in order to get the brochure designed and to the printers ready to go out just before Christmas. Some parks would just get skipped altogether if the weather meant that time ran out.

No, I don’t miss shooting parks too much. It was nice work, and it got me out and about. I’ve covered parks from the Isle of Wight to Wales, Dorset to Kent and Essex and both East and West coasts of Scotland, but I’ve since replaced the work with other things, and if the last few years are anything to go by, I’m probably better off for it.

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