Hot New Set of Wheels

I’ve no idea what mileage my camera bag has done, but its wheels have been showing signs of distress for quite some time. So rather than fork out £300+ for a new bag, the old one probably ending up in landfill, I decided to give it a new lease of life with fresh wheels.

Luckily, inline skate wheels are a perfect fit for the existing bearings. I’d wanted to replace the bearings too, but standard bearings have a different bore which doesn’t fit the axle shafts for my bag. It’s not a critical issue as the old bearings still run, and I think I’ll be able to source the correct bearings once I have time to do more research.

One slightly stomach-churning moment was when I realised how much human hair had become entangled in the axles (I must be running over a lot of human hair!), but with everything removed, cleaned and re-greased, I was able to fit the new wheels and get the ol’ bag rolling again.

It now runs smoother, quieter and more easily over rough ground. In fact this photo was taken after a rather punishing outing over stones, flint and slate pieces for a recent assignment, but I’ve included one of the old wheels to show how much they had worn down and their general state.

Plus I think the skate wheels look rather fancy. Hopefully I can now get to your jobs slightly faster than before!

Expired Film Teaches Me A Lesson

I’m meant to use this blog to talk about nothing but corporate photography, hitting those all-important keywords, shoehorning them into sentences until Google says “I get it, you’re a corporate photographer shooting portraits and other corporate communications images for businesses who care about the quality of their image and the values it conveys, so we’ll put you at the top of the listings whenever we think you’re what the client is looking for.”

Thanks Google, you’re doing a grand job and I should apologise that I don’t always make it easy for you by writing instead about magazines I like, exhibitions I’ve launched (actually, singular exhibition, but hey I’ll keep working on that), or my return to shooting film as a way of working out new ideas and pursuing my passion for telling the stories of ordinary people.

And this week I’m not making it any easier as once again I’m on the subject of film.

My return to film has been a bit stop/start but it continues. More recently I’ve been working with expired film, that is stock which is well past its use-by date. Yes, film has a use-by date because the light-sensitive chemicals which react to light start to break down.

However, I managed to source a large, mixed bag of film; 35mm, medium format, colour and black and white and I’ve been working my way through it with various trial projects and one project which has been fairly fruitful, that of a series of photos documenting the derelict site in Frome known as Saxonvale.

Saxonvale is an area of the town which has been left partially cleared for many years now while the various landowners and interested parties take their time working out how to make the most money from its redevelopment. You might say I’ve used derelict film to record a derelict site, recording not just the waste discarded there, but also sometimes the people who pass through or visit for their own reasons.

Some of the film stock I’ve used has been in such a poor state it barely rendered an image. One trip was wasted because the film was so utterly degraded it was blank when I processed it. All part of the project and a useful reminder to me that the film is the boss on this one.

In due course I’ll be updating my main website with some of these images, but in the meantime here’s a mini gallery to give you a flavour of the Saxonvale project. If you want to see more of it and some of the other film images I’ve shot lately, head over to my Instagram account where you’ll find me as @takeagander.

Get With The Union

A couple of years ago I mentioned Union magazine in a blog post about how I need to feed my creative soul with things like magazines, Huck being another good example.

Union was started by a small group of individuals including photographer James Cheadle who I first met way back in the early 1990s when he was a darkroom technician at The Bath Chronicle and I was a freelance photographer in the throes of training for my certificate in newspaper photography.

In the intervening years James and I have met on very occasional jobs, but we only kept vaguely in touch. But when I saw he’d launched a magazine, I had to take a look.

I’ve supported the magazine from the start and am the proud owner of all four copies so far published. If I’m not careful I’ll have to build a glass-fronted teak display case with internal illumination to store my burgeoning library, but for now the copies I have will reside in my MFI bedside cabinet.

The magazine is a good read and very much photography led, touching on the quirkier corners of society; girl bikers, religious cult members, gang members and a few more bikers. James’ interest in motorbikes and those who ride them certainly shines through, and while I’m not a particular fan of bikes I really enjoy reading the stories and seeing the biker culture represented insightful, engaging photography.

Always a pleasure too is the added bonus of receiving some Union stickers and even occasionally some defunct, but weirdly fresh, foreign currency.

Union magazine won’t be to everyones’ tastes, and since its first edition some design and typology issues have needed to be worked out, but issue 4 is looking fantastic and I’m really looking forward to reading it. I wish James and the team the absolute best of luck with a magazine which deserves success in a market dominated by the big publishers churning out cookie-cutter, vanilla publications.

Up with the UNION!

Get Some Gander and Pig In Your Ears

That’s probably the skinniest picture I’ve ever posted on my blog, but if you dare to click the play button you’ll get to hear my voice via the miracle of the internet.

Artist David Chandler interviews local artists and creative people for his Seeing Things programme on Frome FM, but he decided to interview me during the Faces of Routes exhibition. Sadly, due to a backlog of interviews, it couldn’t go up before the exhibition closed, but it’s an interesting interview in any event. Especially during the bits where I’m not talking.

Do listen to the end or you’ll miss the interview with printmaker Chris Pig. That’s two farmyard animals for the price of one!

The Film Thing

It’s official, I have got the film bug quite seriously. I’ve always loved film and I find I’m more drawn to shooting personal projects on film than on digital. In fact with digital I found it hard to get started on personal projects because the process always ended up feeling very much like all my other work. For personal work I needed some kind of demarcation from my corporate communications photography, and I’ve realised film gives me that distinction.

It also makes a difference to those I’m photographing. People seem to engage more with the idea that I’m producing an image of them using a tradition they thought had died. On a subconscious level I wonder if they feel more comfortable knowing they’re not being instantly “digitised”, albeit at some point I have to scan the images in order to be able to print or display them.

Shooting film the way I do with the subjects I tend to be drawn to is often a slower process than digital and I’ve realised people now expect photography to happen much more quickly than perhaps it used to. With film I will take a more considered approach. I’ve never been one to shoot thousands of pictures in the hope of getting one good one, but with film I find I’m taking this further and taking more time to consider the picture I’m taking. Accordingly I find I have to manage my subjects’ expectations and explain things won’t happen as quickly as they may be used to. That seems to relax them too.

A pile of assorted out of date photographic film

Out of date film is on my list of projects

The benefit I’m getting from shooting film is that I’m going back to basics again, re-remembering my core strengths, abilities and values as a photographer and this is feeding back into my corporate communications work. I’m also having more fun sharing the results on Instagram where you can see my feed has become more focussed on my film work.

I have new projects in planning, including a whole series to be shot on out-of-date film which presents a whole new set of challenges.

If you’d like to follow my foray back into film, check out my Instagram account, I’ll be delighted to see you there and even more so if you decide to click the Follow button.

Latest on Routes

Screen grab of the archive thumbnail images from the Faces of Routes exhibition.

The brilliant people who sat for the Faces of Routes photo session.

Great news! Frome’s best and only youth drop-in centre, Routes, has been saved for at least another year following a concerted campaign to raise awareness and funds.

Local businesses have run various fund-raising schemes and events and these, along with my Faces of Routes project and exhibition, have raised over £60,000 in donations with a few more bits and pieces still coming in, plus the outcome of a National Lottery application which was started before the appeal was made.

Routes manager Sarah Stobbart assures me the bulk of the money was raised as a result of the exhibition, with a very large chunk being donated by an individual who saw the pictures during a visit to Cafe La Strada in the town centre. I don’t know much detail about who, but I believe the sum was £30,000, which is brilliant and I’m thrilled to know that the service has gained valuable breathing space.

Of course this isn’t the end of the story, but with such a lot of good will and awareness raised this will make future funding applications that little bit easier. I still believe Routes should be properly funded by responsible organisations such as local government, but perhaps this stay of execution will allow these avenues to be explored further.

Sarah got in touch to say, “I truly think that the portraits, the use of them and the associated press has contributed massively to the fundraising campaign for Routes being successful – you’ve no idea how glad I am that you got in touch to begin with!”

In the meantime it’s fantastic to know that youngsters from Frome and the surrounding villages have somewhere they can seek help, guidance and a listening ear. I’ll be keeping an eye on things and will update here whenever there is significant news.

To all my blog readers who donated, a very heartfelt thank you. This has been the best personal project I’ve ever undertaken and without so much support it could have been a very futile gesture.

Thank you.

Routes in the News

Yes, Routes has been dominating my blog lately, but this has to be one of the most important projects I’ve worked on in a very long time, so I hope you’ll indulge me a little longer.

This is just a round-up of where we are with the exhibition, donations and stuff.

I’m pleased to say I’ve had some really positive feedback about the exhibition from people I’ve met in the street, through Facebook and twitter, but what’s even better is that Sarah, the Routes centre manager, tells me people have been donating on the strength of seeing the pictures in Cafe La Strada.

We were a little worried that the cost of getting the pictures printed and framed wouldn’t be met, but with a local grant and donations from individuals we’ve covered that now. Phew!

Now it would be valid to ask why Routes spent money on an exhibition when the centre so desperately needs cash to keep going, but the fact is the portraits and case studies and the exhibition itself have generated a great deal more local awareness than could otherwise have been achieved, especially in the few weeks they have before the funding expires.

Take a look at the local press coverage just this week. Imagine what it would cost to buy a full-page advert in a local paper, yet this week we made the front page and a full-page spread inside. This is in addition to the coverage we had in the last couple of weeks on the launch of the exhibition in both local papers as well as an online article in one of the most popular photography sites on the internet.

With that in mind, I have to give full credit to Sarah for having the foresight to suggest the exhibition.

The latest news I have is that grant funding for at least a proportion of the running costs is on the cards. Fingers very much crossed that this comes through and for the balance to be covered by other funding bodies, but in the meantime if you would like to donate, you can do so by Texting MEND41 an amount from £1 to £10 to 70070, or by a cheque made payable to YMCA Mendip to ‘Routes’ Drop-In Centre, 1A Palmer Street, Frome, BA11 1DS. Donate online by clicking on the BT Mydonate button at http://tinyurl.com/j9jukt9 and select Routes as your chosen project.

Faces of Routes Launches!

Wow, what a rollercoaster ride that was. From concept to completion, a photographic exhibition launched in less that five weeks and that includes shooting the photos! I may have to give the Guinness Book of World Records a call.

You can now see the Faces of Routes pictures in all their glory at Cafe La Strada in Cheap Street, Frome, until the end of March and I’m hoping many of you will take the opportunity to take a look around the gallery areas and read the quotes before enjoying some quality refreshments.

06/02/2017 Faces of Frome exhibition at Cafe La Strada, Frome, Somerset. Photographer Tim Gander (back) launches his Faces of Routes exhibition at Cafe La Strada in Cheap Street, Frome, with (left to right) cafe owner Jude Kelly, Routes service users Laura Davies and Kieran Wason and Routes centre manager Sarah Stobbart. The exhibition features 18 portraits and quotes from those who use and run the Routes service.

(L-r) Jude of Cafe La Strada, Laura and Kieran with Routes manager Sarah and me at back

This really has been a Frome effort, obviously starting with the help and cooperation of Sarah at Routes and her colleague Silky, all the young people who so bravely sat for my camera and shared their very personal experiences for the case studies, right through Nik Jones who added the text to the images for the exhibition, Mount Art Studio who did such a fantastic job of printing them and Studio Prints who did the framing at breakneck speed so we could get the exhibition launched as soon as possible and of course thanks to Cafe La Strada for giving us exhibition space for two months for free!

Of course the whole point of this exercise has been to try to save Routes, and we’re not there yet. The hope is that the bodies which really should be funding this kind of service will understand how important Routes is to young, vulnerable people of Frome and that without it there will be barely any other resource to which they can turn when they’re in difficulty.

Fingers crossed then. In the meantime, if live in Frome and you want to help but haven’t the finances to do so, please consider writing to your local councillor or David Warburton MP. If the message is made clear that we don’t want Routes to close, we have to speak loudly.

 

 

Routes Update

The launch of the Routes exhibition inches nearer, slowly. We’ve been working hard to find sponsors for the printing and framing because even though we’ve been offered a fantastic deal on the printing by Mount Art in Frome, exhibitions aren’t cheap to do.

The exhibition is important because it will spread the message far and wide to those who need to consider funding for services such as Routes (the local MP, councillors and so on), so if you feel you’d like to donate to the costs of the exhibition or to help Routes continue its work, please text MEND41 £AMOUNT (between £1 and £10) to 70070, or donate via the website www.mendipymca.org.uk.

In the meantime I’ve launched the Faces of Routes portfolio page on my website which gives you a broad preview of the exhibition itself. There will be additional images on show at La Strada Cafe in Frome, so if you’re in the area, do pop in for a lovely coffee, a piece of cake or an ice cream and take the time to view the prints and read the stories of the youngsters featured.

I’ll update you all once the exhibition goes live!

Routes to Exhibition

Happy New Year! Ok, so 2016 might not have been your favourite year, but the bright side for me was lots of great work with wonderful clients and some personal highlights I won’t go into here.

To make sure my 2017 kicked off with a January-blues-beating personal project, I’ve launched into one which is exciting in a number of ways; I was able get it under way quickly, it’s local, it has a finite duration, has a tangible purpose and perhaps best of all it looks like it’s going to culminate in a local exhibition.

It all started when, just before Christmas, I had been trying to formulate ideas for a personal project I could launch in the New Year. I wanted something which would not only please me, but also have some kind of impact either on those involved, or on its audience.

Then I saw a tweet from Routes, the youth drop-in centre in Frome. I’d always been vaguely aware of their work with young, often vulnerable people in the town, but didn’t have much detail beyond that.

Routes tweeted that their funding is coming to an end in March 2017, after which they would have to find a new source of revenue or close. While I can’t afford the £80,000 + per year to keep them running, I felt I could help them publicise their plight so I got in touch with the centre manager Sarah Stobbart, an absolute ball of energy and a real doer.

The idea was simple; I would take portraits of those who who either use or had used Routes and the pictures could be used for press releases and grant funding applications. Sarah added the idea of holding an exhibition of the portraits somewhere in the town, and so the ball got rolling.

I started shooting on January 3rd because there’s no time like the present, and with all those willing to participate we now have 13 youngsters, Sarah and her colleague Silky shot for the project.

The local press have picked up the story and one local paper is looking to publish the portraits with case studies as a series, while a local cafe/art space has agreed to host the exhibition for free for two months.

At some point I’ll create a portfolio gallery of the final images on my website, but I’ve included a couple of examples here to give you a taster of the work.

The main purpose of all this is to get funding for Routes to continue their work, so I’ll leave you with this plea from Sarah:

“If you would like to show your support and help to keep this vital service operating for young people in Frome, there are a number of ways you can help our appeal. By Texting MEND41 an amount from £1 to £10 to 70070 Or by a cheque made payable to YMCA Mendip to ‘Routes’ Drop-In Centre, 1A Palmer Street, Frome, BA11 1DS. Donate online by clicking on the BT Mydonate button at http://tinyurl.com/j9jukt9 and select Routes as your chosen project. By holding a fundraising event to help raise funds and awareness! Or become a ‘Friend’ of Routes!- Contact Sarah Stobbart (Routes Project Manager) on 01749 679553 Ext 5020 or e-mail sstobbart@mendipymca.org.uk”