Case Studies Archives - Page 9 of 13 - Tim Gander, Photographer, Bristol

November 13, 2012March 10, 2014 by Tim Gander

For people who eat

One area of commercial photography I seem to have been getting involved with more frequently over the past year has been on-location food photography.

Food photography is a highly specialized area and if a client is going to go the whole hog (pun intended) they’ll be looking at very high fees for a top-end photographer, plus assistant, food stylist, studio hire, props, editing and post-production.

As for my work, I know my level and I know what I can do for a client. When they approach me I measure their expectations and requirements against their budget and if I believe I can offer what they need, I’ll take on the task. If they’re looking for something very high-end, I’ll recommend them to a food photography specialist. However, there are many instances where quality is required, but it’s clear we’re not shooting for The Ritz brochure and that’s where I can help.

This is the same approach I took when I was recommended to Caroline Jones of newly-launched online food magazine Local Morsels, which champions local food producers, growers, retailers, chefs and restaurant owners in the Bath and Bradford on Avon area.

I was recommended to Caroline by web designer Andrew Eberlin. Caroline and I met over coffee, discussed her requirements and I designed a fee and licence structure which suits her requirements perfectly.

The first batch of images, shot for the inaugural issue, were taken at locations in Bradford on Avon, using my portable studio lighting setup. The work was fun to do and I’m looking forward to the next session, which is already booked for later this month.

In the meantime, here’s a small selection of images from the first edition. If you’re the kind of person who eats, why not bookmark the Local Morsels website and learn more about locally produced food? Try not to drool on your keyboard though.

Pumpkin soup in a bowl on a place setting

The challenge – to create a warm light effect, and get the shot before the sparkler fizzled out

Apples in a pan with raisins and cinnamon sticks

The challenge – balancing cinnamon sticks

easy jose coffee beans in a bag with grinder

The challenge – foil pack reflections can be tricky

The challenge – making the cake look as moist in a photo as it was in real life

in Case Studies 0 comments

November 6, 2012March 10, 2014 by Tim Gander

TIGA Feats

Last week I was at the annual TIGA Games Industry Awards to photograph the gathered great and good and the award winners in particular.

TIGA is the non-profit trade association which represents the digital games industry in the UK, and this year’s awards were presented at The Assembly Rooms in Bath, a historic venue contrasting with the relatively new art of game design.

I’ve covered a few events at the Assembly Rooms over the years, and though it’s a lovely building it’s always quite tricky to deal with the very low-level, yellow lighting in the Great Octagon (see this post on a similar recent challenge), where delegates gather for drinks prior to being seated in the main ballroom which, depending on what the lighting guys have set up, will be a whole new challenge.

Normally I’ll use on-camera flash of some sort for the drinks reception, and then portable studio lights directed at the stage to cover the dais and awards presentations up on the stage, but this time I decided to use available light for the drinks bit, and hand-held flash for the awards as I had to be super-quick for the presentations. The client didn’t want the photography to hold up proceeedings. There were a lot of awards being presented, and I needed to be nimble to get a shot from each one – the studio lights can slow me down as they don’t always charge back up fast enough to be ready for the next photo.

In between covering the flavour of the evening and the awards on the stage, I was also nipping backstage to send images out from my laptop in order that social media coverage could have pictures live on the night.

A pretty long night and tiring too, but great fun and an interesting insight into the gaming industry. I’ll be back at The Assembly Rooms before the month is out to cover the Regen SW Green Energy Awards. I can’t wait to see what the lighting engineers do this time…

In the meantime, here’s a small selection of images from the night:

TIGA delegates chat, drink, network in the Great Octagon, Bath Assembly Rooms

Delegates mingle and drink prior to dinner and the awards

Screen showing TIGA awards twitter activity

Social media was broadcast live to the room

Delegates at dinner enjoying the awards presentations and speeches

Capturing the fun of the evening

Actor and voice artist Corey Johnson comperes the evening

Compere Corey Johnson, actor and games voice artist, keeps proceedings flowing

TIGA gaming industry award winners receive their prize

Awards are presented, speeches are made

in Case Studies 2 comments

October 30, 2012March 10, 2014 by Tim Gander

Back to my roots

With my roots firmly set in newspaper photography, it’s always a pleasure to get a commission to shoot pictures for a client that require that newspaper style. It’s not the same as shooting for a corporate website or brochure which generally requires a bit less story telling and tends to be more polished. For a newspaper style you can work faster and produce a wider range of image options. It’s ok to pull in props from what’s around you if it helps, and you’re not looking for a totally slick look, which can leave a photo looking less genuine when it’s for a news context.

A good recent example is a job I shot for Positive Outcomes, a national training company, who offer a range of training and apprenticeship services to companies and organisations and training to help a whole range of people looking to improve their work skills.

In this example two people, Holly Drew and Alistair Johnstone, completed their on-the-job training while volunteering at the St Peter’s Hospice charity shop in Westbury on Trym, Bristol and I was asked to produce a set of images suitable for local press and web use to help tell their story.

After about an hour on site I had a good selection of images, both upright and landscape orientations to suit picture desk requirements. I thought perhaps you’d like to see a selection of the results.

Showing Holly and Alistair interacting as they work adds an extra layer to the picture story

Offering a vertical alternative reduces the risk of a photo being ditched just because it doesn’t fit the page design

Showing Holly and Alistair at work in the stock room is another opportunity to show them at work

in Case Studies 2 comments

October 23, 2012March 10, 2014 by Tim Gander

Biology.. we need more of it

Here’s a sneaky look at the challenges sometimes facing a photographer in what might otherwise be a fairly standard assignment.

Last week was Biology Week, but you knew that already. You’ll also know the purpose of Biology Week was to raise awareness of the role of biology in the 21st Century with debates and events catering to all ages.

TV presenter Chris Packham speaks at Biology Week event, London

Chris Packham talks about his passion for biological research

I was commissioned by the Society of Biology and Biotechnology and Biological Sciences Research Council to cover an event at the House of Commons designed to celebrate the week and spread the word of the importance of biological study to understanding our environment and the opportunities for innovation from new discoveries. My pictures would be used for press release material and the Society of Biology website news page (see link above).

The event was held in the Churchill Room where the great and the good of the biological sciences community mingled with MPs, peers and Chris Packham (BBCs Springwatch and Autumnwatch presenter).

My task was to cover the speakers giving their addresses, people networking and enjoying the evening and anything else that presented itself. It wasn’t an easy task as the room was packed to bursting, which made moving around quite tricky and often made it difficult to get clear shots of specific people.

Guests gather for Biology Week event at Churchill Rooms, House of Commons

The Churchill Room was packed for the event

The lighting was pretty poor too. Very warm colour tone, which when added to people’s hot faces made orange something of a theme for the evening. My best bet was to use a mixture of flash and slow shutter speed to try to have people properly lit without it looking like I’d blatted them with flash, then cool down the warm cast in post-processing to get skin tones looking more human.

Despite the tricky shooting conditions and the extra post-processing involved, as it was my first shoot inside the Parliament building I was thrilled to be there. I highly recommend a tour if you’re ever in London because it really is a fascinating building.

Big Ben tower mis-shapen by iPhone panorama mode

I couldn’t resist having some fun with the iPhone panorama mode while I was there

in Case Studies 0 comments

August 14, 2012March 10, 2014 by Tim Gander

Tri-ing Weather

For the last two weeks everyone (almost) was going Olympic mad and while I was pretty cynical about the whole thing in the build-up, ten minutes into the opening ceremony I was completely won over.

Professionally-speaking, apart from covering the torch relay as it left University of Bath, I’ve had very little involvement in the Olympics. However, I did get to cover the “Triathlon Live” Give It A Tri event in Bristol’s Millennium Square last week, an event held at various locations around England and organised by Triathlon England to bring active sports to the public.

Teams and individuals visiting the event could try swimming, cycling and running, all on machines and in a high-tech swimming pool and against the clock. It was great fun, but the weather tended to keep the crowds away from the open-air seating where they could sit and watch live Olympic events on a giant screen.

It did make for some interesting shots, a couple of which I’ve featured here.

Swimmer in swimming pool with virtual current generated by water pumps.

When the sun came out, the water was lovely.

Man under large Union flag umbrella in deckchair at Millennium Square, Bristol.

It may have been thirsty work at Wimbledon, but in Bristol there was an abundance of water.

in Case Studies 0 comments

August 7, 2012March 10, 2014 by Tim Gander

I like a challenge (couldn’t be bothered with a ‘try’ pun)

Last Tuesday I was asked to cover a photo-call on behalf of Premiership Rugby in the build-up to the Rugby 7s final taking place on the Friday.

This was going to be a quick-turnaround job, but the shots also needed to look polished, so I arrived in plenty of time to set up portable strobes on the rugby pitch at the Bath Rec (recreation ground, home to Bath Rugby Club) and have the trophy arranged so that when the team captains came down for the photo, I’d be good and ready.

The shoot list required pictures for the website, a shot for each of the captains’ home newspapers (consisting of a group shot each, with each captain taking it in turns to be nearest the cup and then individual captains with the cup), and a programme cover. I probably had less than half an hour to shoot the whole thing, including time for the photographer from The Bath Chronicle to get his shots too.

Having got all the shots I needed, I got the images onto my laptop, captioned, edited and sent off to the agency that was going to deal with the distribution of the images to all concerned. From starting the shoot to delivering the images was about 2 hours.

The website was updated with the new group photo of the team captains with the cup.

Despite the rain, the shots turned out fine and the Premiership Rugby website was updated with the new group photo and the regional papers all had the shots they needed. And on Friday when I arrived to cover the corporate hospitality aspect of the event, there was the programme with my cover shot on it. It’s challenges like that which get the adrenaline going and keep me keen. More please 🙂

I photographed the players, but you might detect some Photoshop work in the background…

in Case Studies 0 comments

June 19, 2012March 10, 2014 by Tim Gander

A Day In The Life

Press photography coverage for a ministerial visit isn’t always going to produce a prize-winning image, but I like to make sure I manage to get at least a couple of off-beat images for the client even if the subject is on the dry side of arid.

Politicians are very aware of the camera now, which can lead to rather staid situations being presented. Even so, when I covered the visit of David Willetts MP to the Babraham Institute near Oxford, I achieved some decent frames. Certainly the client, BBSRC, were happy.

I thought for this week’s article I’d use this event to give you some idea of what’s involved in this kind of event and the kinds of shots to expect.

It’s often worth grabbing a general view or two for reference. If I’m at a conference, for example, I’ll try to get a shot of the empty stage so the client has a record of the layout and design. This is a simple view of the recently-finished building the minister was officially opening.

Plaque-unveiling barely counts as a photo opportunity. Even pulling other elements into the frame barely elevates the scenario, but you have to cover everything in case the curtain pole falls down or someone’s forgotten to put the plaque up!

Boys and their toys… People and large machines don’t always make a nice, tight press shot. The best images of Mr Willetts cutting the first sod on a new project cut out most of the digger itself. You don’t need the entire machine to see what he’s doing.

The ubiquitous group shot. What can I say? Except that not all photographers are capable of arranging a decent group photo, and some will balk at taking command of people they may feel they should show more deference to. Personally, I find the only way yo get the job done properly and quickly is to be a little bossy, but always polite.

An old trick, where there’s no mirror handy, is to use the reflection of the TV camera lens to make adjustments to dress before interview. As a still image it just provides more flavour to the coverage.

The client will never object to having their name in the photo. This kind of shot is probably of less interest to external press, but often works for the website and internal communications.

Once the speeches are done, the minister is back in the car and off to the next meeting. No pictures, but I do stay close in case a final opportunity presents itself.

After the minister departed, it was time to get the pictures turned around quickly for the client so they could be sent out with the press release.

Another press job done, another satisfied customer.

in Case Studies 0 comments

June 11, 2012March 10, 2014 by Tim Gander

Here Comes the Rain Again

You need sunshine for an outside pool shot

Do you remember summers? I do, though I have to think back a bit.

I was thinking about this year’s weather and how it affects my work. My conclusion was that it doesn’t affect it as much as it used to, especially when I was shooting holiday park brochures for the likes of Hoseasons and Great British Holiday Parks.

It was always a bit of a struggle to time the shoots on lodge and caravan parks because I would have to organise the dates with the parks I was visiting, then spend a few days at a stretch traveling from one park to another, allowing about a day at each one, taking pictures for each park’s brochure page.

The brief tended to include getting a hero shot of the pool, a selection of caravan interiors and exteriors, the entertainments (daytime and evening), general views of the park and surrounding areas. Mostly these shots required people/models that I would have to find on the park and persuade to be in the shots.

Apart from the interior shots, everything else required a certain amount of sunshine, and I wasn’t always lucky.

One particularly memorable year I found myself in Whitley Bay, rained and fogged in for two days. Having shot all the interiors I possibly could, I waited and waited, but the weather was showing no signs of improving to the point that I gave up and drove home.

The work itself wasn’t entirely without its joys, meeting lovely people and having a bit of a laugh along the way, but it was undeniably long, hard days and when the weather broke down, it could be dispiriting. Often the shoots were timed around May before the holiday season started, so if it wasn’t decent weather it could be quite chilly and not many people around to model for the shots.

After waiting several hours for the fog to lift at one beach, I gave up and got this stock shot instead

If I’d had to shoot parks the last couple of years I think I would have gone slowly insane. Apart from the wasted effort of organising and traveling to parks, once you’ve committed the best part of a week to shooting on location you can’t book in other work. If the weather then wipes out the park work, you’re left with not much more than a couple of wet-weather payments, which don’t add up to a hill of beans.

In addition to all that, there’s the deadline to contend with. A designer would need the images by about the end of June at the latest in order to get the brochure designed and to the printers ready to go out just before Christmas. Some parks would just get skipped altogether if the weather meant that time ran out.

No, I don’t miss shooting parks too much. It was nice work, and it got me out and about. I’ve covered parks from the Isle of Wight to Wales, Dorset to Kent and Essex and both East and West coasts of Scotland, but I’ve since replaced the work with other things, and if the last few years are anything to go by, I’m probably better off for it.

in Case Studies 0 comments

May 29, 2012March 10, 2014 by Tim Gander

Flaming good luck

As a corporate and press photographer it’s not always possible to predict what will happen on any given day and last Tuesday was one of those days when a very welcome surprise dropped into my lap.

I’d woken up thinking my regular Tuesday networking meeting would be followed by admin and blog-writing, there being no bookings on the diary that day. However one regular client had other plans for me.

The Olympic torch relay was setting off from University of Bath for the city’s leg of the torch journey, and it just happened that the university’s staff photographer had been taken ill. I got an early call during my meeting asking if I could cover at the last minute.

I didn’t need to be asked twice. I’d hoped to catch a glimpse of the procession as it passed through Frome, but to be given the chance of a paid commission to cover the event setting off from Bath was too good to miss.

Even on days when I’m not expecting a last-minute call I take the core of my kit in the car when I leave home, and on this occasion I already had most of what I needed with me. I just had to pop home for my 80-200mm f2.8 lens and slap on some sun cream (nothing worse that standing around in the baking sun waiting for an event to happen and slowly getting sunburn).

I arrived well ahead of the event for a briefing session and was told the one shot the University really needed was a torch-bearer in front of the sign at the campus entrance. This wasn’t a shot I could set up because you can’t just dive in and interrupt the procession, so it was a case of keeping nimble and thinking fast.

The shot very nearly didn’t happen. The sponsors’ buses came through, then there was a gap and I could tell the torch bearer was coming up the driveway because of the crowd reaction. What I hadn’t quite anticipated was a socking great press truck which had to turn slowly at the junction where I was positioned, the only point at which I could get bearer and sign in one frame, which blocked my view of the bearer at the crucial moment. I had to think and move fast.

Olympic relay torch handover at University of Bath

Olympic Torch Relay sets off from University of Bath. Torch bearer Fay Hollister passes the flame to David Malough as the procession leaves University of Bath Claverton Down campus.

The frame you see here is one of only 4 I had time to grab before the changeover was done and dusted and my chance to get THE shot gone forever. I’d have liked a better view of the sign with fewer Met police runners blocking things up, but there’s only so much you can achieve in about 15 seconds.

in Case Studies 2 comments

February 28, 2012March 10, 2014 by Tim Gander

Case Study: Dental Practice Photography

I really enjoyed working with the staff at Aquae Sulis Dental Practice in Bath to shoot pictures for their new website. It was important to capture the professionalism of the practice, but we also managed to have fun in the process. You might think having fun is peripheral to the task of getting quality images for your business, but where it’s important to show something of the personality of a team, this can best be done through humour and making the shoot enjoyable.

What we ended up with was a set of images which I believe have authenticity, professionalism and friendliness written through them. But don’t take my word for it, visit the Aquae Sulis Dental Practice website and judge for yourself if the photography gives a feel for the level of professional and friendly service you’d receive if you went there.

Practice Nurse Diana Lutner dances through reception - an out-take, but made us all smile

Dental practitioner Dr Ian Bellamy of Aquae Sulis, Bath

This portrait not used on the final website, but useful for other things

in Case Studies 2 comments

« Previous