Sink or Swim?

My previous blog post started with an apology for having been a while in the making, and here we are again; two and a half months since I wrote that post!

Well not many people are around in August, so when I do post during the Summer holidays I often feel like I’m talking to myself. In addition to this I did what I almost never do in August, I took a holiday! West Wales, Cardigan Bay in a camper van since you ask. And yes, it was fantastic and much-needed. I hope you all managed some kind of escape too, if only from the incessant heat!

Twists and Turns

But it’s not just that. It’s fair to say, life has been taking some slightly unexpected twists and turns of late. Let’s use this post to touch on some of those twisty turny things.

To be fair, June and July were absolutely insane with work. I had conferences, events, Summer Graduations for University of Bath (stepping in at the very last minute to cover for sickness, which was mildly stressful to put it mildly) and the usual smattering of corporate headshot sessions sprinkled amongst all that. It’s astonishing to think I had time to eat, sleep or breathe during that period, and yet…

And yet in amongst all that I spent more time as a swim teacher than I have previously and I spent a week training as a pool lifeguard. You read that correctly; I spent a week at Melksham Community Campus pool (a gorgeous swimming pool, by the way) in a class of 16, 17 and 18-year-olds learning first aid, CPR, the full range of pool rescue techniques and performing timed rescues, which believe me are not for the faint-hearted!

It was interesting to test myself against swimmers who are a third of my age and to see I wasn’t the slowest. I’d even gone into the week with a sinus infection, feeling rough and having not trained as much as I’d wanted to, so I’m particularly pleased and proud that I did the course and passed the written and practical exams (including the horrific timed rescues). So yes, I’m now a Royal Life Saving Society qualified pool lifeguard.

It’s also good to know that even as a photographer when I’m out on jobs, or just out generally, I have the skills to help if I encounter a medical emergency. For years I’d meant to do a first aid course, and now I have that skill too.

What Does This Mean?

Does any of this mean I’m turning away from photography? A question you’d be forgiven for asking, and the answer is ‘not by a long chalk’.

I’m about to turn 60 (!!!) so it’s reasonable to start thinking in terms of what the rest of my working life will look like. I’m obviously still fairly fit, but I have to ask myself how many more years I can be hefting kit about. City centres have become increasingly inaccessible to vehicles, most clients don’t have their own car parks and those that do often have a plethora of obstacles to negotiate between car park and office which, when you’re laden with equipment, suddenly become a right bore.

By contrast, although swim teaching isn’t always cushy (sometimes multiple hours neck deep in cool water), it’s not as impactful on the physique and I have found it to be incredibly rewarding. Not to say that photography isn’t, but knowing I’m helping children and adults learn new skills and making them much safer around water definitely has its rewards.

Decisions Decisions?

You might say I’m at a crossroads. I’d say the junction is visible, but still a way off in the distance. Even taking into account factors like my age and the rapid advance of AI imagery (pewk), my skills as a photographer will continue to be in demand for a while yet. It might seem foolish to put this post out now since some clients might take it as a signal that I’m hanging my cameras up. However I cannot deny that swimming and swim teaching have become important to me, perhaps more quickly than I’d anticipated, but I’m still here for the clients who care about their corporate image and I will be here for them for the next few years.

I might just have a whiff of chlorine about me. Sorry about that!

A Busy Quiet Day

Some days look quiet on the diary, but in practice are anything but restful.

Take yesterday as an example; I had no commissioned work on, so I decided to make a trip to Salisbury Plain to work on my much-postponed project.

That required a 5am alarm call (I had forgotten what a punch in the face that feels like!) This was my first trip to the Plain in many weeks, and the plan was to retry a shot I’d done before, but wasn’t entirely satisfied with.

Unfortunately, after such an early start and a three-mile walk (no, it’s not a great hike, but with medium format camera, lenses and tripod it feels a bit longer), the weather decided to be too dull to make the picture I was after.

Ok, so the six-mile round walk wasn’t a killer, but the early start was giving me a bit of a kicking. Time to head home.

On the way back I swung by my local picture framer to pick up a couple of pieces of non-reflecting glass. This is part of my master plan to keep improving how I digitise my negatives, squeezing every last drop of quality I can from the process. I didn’t stay long, he was busy with framing work for London galleries.

Back home, I tried a bit of admin, but by now my brain was aching for a little sleep, so I took a power nap (ok, 90 mins) to recover before lunch.

Then it was back on the admin, handling client enquiries, a bit of social media work and planning next week.

I did manage a bit of R&R in the evening, but then the lure of photography drew me back again. I’d recently updated some flash equipment, so had a bit of an experimental session with that. Focusing on areas around the home, I looked at how I could use the new gear to create different effects. Call it play, call it fooling around if you will, but a photographer who only works with their new gear once they’re commissioned to use it is a fool.

By the time I’d quit trying things out, it was 10:30pm and I was finally ready to stop, but not until I’d transferred my test flash images to my computer and had a look through the results. So ok, it was nearer 11pm when I finally shut the laptop.

I sometimes beat myself up that I’m not dedicated enough to what I do, but then when I sit back and look at it properly, I don’t think I’m any kind of slouch; I just need to remind myself that even a day which doesn’t produce solid results isn’t a day wasted, it’s a day invested in something yet to happen.

On Being a Photographer

“Never Too Old to Learn” is the title of one of the assignments from the newspaper photography course I attended back in 1992.

I remember it particularly well because I ended up contriving a story in which a grandmother was learning to fly helicopters. Of course she wasn’t actually learning to fly helicopters, but since this was just an exercise in illustration it didn’t have to be a true story.

I found a suitably elderly model and a suitably cooperative helicopter pilot, put the two together and took some shots which worked pretty well. All lies, but it fulfilled the purpose of the assignment and the grandmother had a blast.

The reason I’m reminded of this particular college assignment now is because I’ve just bought a copy of “On Being A Photographer” by David Hurn and Bill Jay. Even as a photographer with 30+ years in his back pocket, I still expect to learn a great deal from reading this book.

The other college-days connection here is that David Hurn founded the School of Documentary Photography in Newport. I went to Stradbroke college in Sheffield because that was where budding newspaper photographers went if they wanted to get into the industry. Us Stradbrokers would scoff at the Newport photographers because they had a reputation for swanning about in desert boots while carrying Billingham bags and dreams of shooting for National Geographic.

We were “the real photographers” who would all go on to work for The Independent or Observer magazine, covering conflict and strife around the globe. In reality Newport was a very fine college (the very best for photo-documentary training) and we had as much chance of fulfilling our perceived destinies as those who went to Newport. In other words, not much chance at all.

Actually, most of us did at least make it on to local and regional papers and one or two of us worked with national titles. Even now, one or two of our cohort are still working (albeit occasionally) for international titles.

But Stradbroke for me was 28 years ago. So why have I gone back to the books? In particular one written by the founder of a course I disparaged at the time? Simple; I’ve grown up. I’ve changed and I continue to change. I’m always looking at new sources of inspiration and solid foundations for new knowledge. I slightly wish I’d been able to go to Newport, even better go to Newport AND Stradbroke; that would have been incredible, but it wasn’t possible.

On Being A Photographer has a particular focus on the kind of work I do in my personal projects now and in this regard it will prove invaluable. I know I’ll learn new, better approaches and I’ll have a clearer understanding of how a photo essay should be approached.

It might take me another 30 years, but I hope this book will put me on the path to being a better documentary photographer. I’ll have to let you know how it goes.