Tim Gander’s photography blog.

Cycle Challenge

Covering the launch of the new Matrix IC7 cycle training bikes at University of Bath’s Sports Training Village last week presented some interesting challenges, but also made for some interesting photo opportunities – sadly I can’t show show you some of the more creative images as the university hasn’t had use of those pictures yet, but just getting the basics covered presented interesting challenges.

When I arrived on location, the bikes were set up for a spinning class at which a group of cycling enthusiasts, athletes and sports trainers were taking part in a session. The purpose of this was to introduce them to the bikes and their various high-tech features, while also creating a suitable scenario for me to get some shots of the bikes in action.

My first problem was that of how to light the scene; this was a fairly large group of people in a very tight space, with a massive source of light coming from behind them.

With careful positioning of the camera and a bit of shifting of a few distracting objects I managed to get enough room to include the group without being able to see my flashes which were set up, just outside my field of view, at each end of the space in order to bathe the cyclists with enough light to counteract the daylight which would have silhouetted them. I didn’t have much leeway to move about, so the main shots pretty much had to be taken from one position.

Having achieved the basics though, I was able to take additional pictures showing details of the bikes and small sections of the group as well as a few more creative images experimenting with slower shutter speeds and camera/lens movement.

When the group took a break I was able to set up a very quick photo of sports Team Bath athlete Eva Piatrikova as an alternative to the wide group photos.

By the end of the session I had pictures suitable for promoting the spinning/training sessions available at the university and by the end of the afternoon I’d delivered an image suitable for immediate social media use, with the rest of the images edited and delivered the next morning.

Team Bath posted an article using two of the pictures, tweeted one and will use others in future materials to promote the cycle training sessions, so if you’re a keen cyclist wanting to improve your technique or want to learn the basics, now you know where to sign up.

Dairy Diary Date

Saturday 12th September was blessed with surprisingly kind weather, even more surprising because I had an assignment which very much relied on being outdoors, which of course normally means torrential rain has been predetermined.

On this particular day though, I arrived at Littlewood Farm in the village of Frampton, near Dorchester, in brilliant sunshine to cover a sort of open farm event. I say sort of because this was open farm by invitation. Dairy farmer, George Holmes, invited suppliers, retailers, fellow farmers and politicians to see the operation at his farm so they could gain a broader understanding of how a modern dairy farm works, the products its milk goes into and to air the issues faced by farmers as milk prices come under pressure from falling world prices.

My task was to document the event for pictures to be featured on twitter as well as to capture a PR image for local press which would show George, the local MP Simon Hoare and Minette Batters of the National Farmers Union with a cow.

The cow part of the brief troubled me a little because they’re big beasts and not always easy to arrange for a photo, but when I saw the pens of young calves in the calving shed, I knew we had an opportunity for a picture that would jump right into the local press, carrying the story with it – which is the point of a PR piece after all.

I was on-site for a couple of hours, and in that time I built up a collection of images featuring people enjoying the tractor trailer tour of the farm, watching the cows being milked and interacting with the calves as well as getting a few stock images of cows for the client to use later.

The PR picture worked and made its way into the Dorset Echo as well as a good range of industry publications, which goes to show that a well-considered photo really can get useful coverage and exposure for an event and the brand behind it.

 

 

Fun Experience in Frome

This week is mainly a thank you to Frome visitors Imogen and Ben who became accidental models when I was out and about last week with work experience photography student Becky Collis.

It was a quiet Monday afternoon when we took a stroll up Catherine Hill seeking a photographic opportunity for Becky to get to grips with. I spotted this stylish couple, classic film cameras in-hand, walking up the hill and approached them to ask if they would pose for us for a few minutes.

They were gracious enough to agree and patient enough to let Becky and I take turns at posing and photographing them. I decided we should apply newspaper rules to the task, so the photo had to have a news feel to it, would require captions and a speedy turnaround at the end.

The photos below show Becky in action, followed by her portrait of Imogen and Ben, then her action shot of me followed by my version. Just click to see them larger and to cycle through the set.

Becky caught some nice light outside Kushi clothing store, who also kindly allowed us use of their bench, while I opted to bring them away from the window front. The light wasn’t as pretty, but I got the separation I wanted from the background. My preference would have been to use portable lighting to lift the daylight, but this was also an exercise in minimal equipment (precisely because I didn’t have portable lighting with me).

Within about 40 minutes we’d returned to the office, processed and captioned our images and delivered them to online galleries in the same way as we would have delivered them to clients. Job done and a nice little exercise.

So thank you Imogen and Ben (good luck with your studies!) and thank you Kushi for the loan of your bench. It was the perfect bench test!

 

Welcome Break

Welcome back after my holiday hiatus.

One of the wonderful things about doing what I do is that whenever I go on holiday, I always have a professional photographer with me. Not everyone is so fortunate and there is even a growing trend to hire a photographer to take your holiday snaps for you.

Don’t worry though, I’m only going to talk briefly about my Summer* holiday and show you just a couple of the photos I took during my week off. The point being, as much as this blog is for showcasing what I do for my clients (and hopefully for you if you become one of them), it’s sometimes good to share what I do outside of my paid work so you get to see how I think when I’m not tied to a photographic brief.

My trip this year involved a week’s camping in South Devon; Slapton, to be precise, and to be even more pedantic, during a week-long weather warning from the Met Office. Yes, it rained quite a lot and got so windy that my windbreak broke.

In spite of all that, I had a wonderful time relaxing with my lovely partner. Long walks (we clocked up in the region of 25 miles in the first 3 days) and some of the most incredible seafood I’ve ever eaten.

And when I’m on holiday, yet still carrying a camera, what do I look for in a photograph? Well I do occasionally find myself taking some of the same clichéd photos that any tourist takes, but mostly I look for something unusual to sum up an experience in a less obvious way than simply lifting my camera and recording what’s in front of me.

It’s always a balance between enjoying the holiday and its moments and using the camera to record them. I certainly resist taking photos until I see something I really want to capture, and rarely trouble myself with anything that thousands of people will already have captured ad-nauseam.

Hence the two images here. Both are simple and both lack any real context. Looking at them, you wouldn’t necessarily know where they were taken, but for me they form the kernel of much bigger memories. I hope though that in spite of that, you can see some beauty in them that doesn’t rely on you knowing the context in which they were taken, so they stand on their own as pictures worth looking at.

Enough artyfarty nonsense, here they are.

*I heard a lovely quote the other day, I’m only sorry I don’t know who originally came up with it, but it goes “I love the English Summer. It’s my favourite day of the year.”

In Summery [sic]

If you’re currently on holiday, sitting in a caravan on a rain-soaked and windswept holiday park in the UK, I feel your pain.

I used to take photos for holiday park brochures, mainly of the static caravan variety, and it was always a task made unpredictable by the English weather.

The photo featured here was taken after I’d been held up on a park in Northumberland by poor weather which persisted for two or three days. It got to the point where, having done every conceivable interior photo, I literally couldn’t shoot anything outdoors that would have made the park and its surroundings look like a great Summer destination as the mist, or sea fret as it’s locally known, had set in and wasn’t going to shift.

Eventually I had to abandon the shoot and drive home, which back then meant a six-hour drive to Portsmouth.

There is no moral or sage advice attached to this tale of inconvenience, except to say that it being August and holiday time, I shall be suspending blog posts until September 1st.

I hope that whatever you plan to do this Summer, wherever you go, you get the weather you want and return refreshed and ready to face Christmas merchandise in the shops and an Indian Summer which will no doubt be in full flow once you’re back at your desk.

Bye for now!

This Hamster Needs Feeding

Perhaps one of the toughest aspects of making a profession out of photography is that of maintaining inspiration. I love what I do, and I love working with businesses to create the images they need for their projects. Sometimes it can seem a little formulaic and routine, such as when I’m shooting 30 executive headshots in a board room, but even then I enjoy meeting all the different people, having a chat and laugh with them, relaxing them into their photo session while simultaneously ensuring the results are top notch. I never tire of this.

Other times I get to work on projects with which I can get more creative – just look back through my recent posts and case studies to get a flavour of the kinds of jobs I’m talking about, but inspiration for everything I do has to come from somewhere and I’ve become increasingly aware that over the last few years I’ve been neglecting to feed my creative soul.

Back when I worked on newspapers I would take inspiration from colleagues and competitors. I would see their work every day, and it would spur me on. Now that I tend to work in isolation, this source is a little dry.

My personal projects help feed into, inform and inspire me for my paid assignments, but even these require some kind of external input or I’ll find myself running like a hamster in a wheel, feet going like crazy, but not actually getting anywhere new in a creative sense.

I’ve started to address this issue. I’ve realised that while I do spend time looking at images online, following favoured Instagram accounts and the twitter feeds of some really incredible photographers, I also need to see printed photography, which forces you to sit and consider rather than just flicking to the next image as one tends to do online. Plus it’s an edited source, rather than the constant rush of throwaway pics in which the good stuff tends to get buried.

So when I saw that Huck magazine (whose twitter feed I follow and enjoy) were bringing out a special edition, I bought it. Packed with inspirational people in all kinds of fields, all photographed differently by a wide variety of photographers, as much as anything it was the pleasure of seeing photographs in print again (and sniffing the printed page… you know what I mean) which has helped wake my creative soul again.

Likewise when I saw that an old photographer friend of mine, James Cheadle, was working on a new magazine, I had to get my hands on a copy.

Like Huck, James’ magazine, Union, is a stylish, high-quality publication beautifully printed (mmmm smell the print!). Where the Huck Special Edition profiles different creative people and entrepreneurs, Union consists of fascinating photojournalistic articles about gangs, drugs, tribes, religions, bikers… the list goes on. It’s a hell of an undertaking and I really hope it thrives because there seem to be so few outlets for this style of photojournalism in mainstream newspapers and magazines.

So now to the next step. I have to take the inspiration I get from the likes of Huck and Union and start applying it to my own work again and stop being the hamster in the wheel. I’m taking the time to get off the wheel, and fill my cheeks with yummy inspiration.

A Cask Task

 

Unless you’re thinking of setting up a new pub or selling beer at festivals, you might not think this post is particularly interesting or pertinent to your business or photography, but this is a good case study for demonstrating how the photography can help shape the style of your website.

When I was approached to undertake the product photography for bar and cellar suppliers A-Cask, their website, brochure and even branding design was all up in the air and in need of a refresh. So they came to Leon Thompson of Creative Direction in Frome (who happens to work from the same building as me), who in turn came to me to talk about pictures for the site.

At this stage I knew Matt Wellsted was going to be working on the logo design and graphics for the site, which filled me with confidence this was going to be a good project to be on, but there wasn’t really anything in the way of visuals to guide my approach.

The obvious solution, since we had to get the photography under way, was to shoot as much as I could against white so that we’d have options down the line to do cutouts and change background styles and colours if needed. But everyone involved was so pleased with the results I turned in, it was decided the pictures should be used with their original backgrounds intact wherever possible and that this would influence the choice of background colour for the website and brochure pages. The final result is a clean grey against which all the photos, graphics and logos work really well.

So although I don’t always recommend starting with the photography when venturing to a new website or brochure design, if your site is going to be strong on images it can be a good idea to work this way and let the image style influence the overall style of the site.

Here’s a a flavour of the site and brochure below. Feel free to let me know what you think.

Case Study: Local NHS photography project

Sometimes I get a brief which sets a tone and style, but still leaves me plenty of room for creativity. This is always very rewarding work, but carries with it that extra frisson of responsibility – what if my pictures aren’t what the client envisaged? What if I stray off-piste? And in today’s example, working with NHS Bath And North East Somerset Clinical Commissioning Group (NHS BANES CCG for short) I knew I had to get each shoot right first time as public money has to be spent very wisely.

NHS BANES CCG needed fresh images for their annual review and new website. In the past they’d used stock imagery quite heavily, but there was a recognition that people engage better with pictures which are clearly not posed by stock models. Also, as useful as stock images can be for some applications, they can’t reflect all the subtle uniqueness of a local health service, and so I was approached with a view to getting the ball rolling on a new image library which their designers and PR managers could draw on as required.

I was sent to cover various events and illustrate different services within the CCG, but apart from an expressed wish to see light, engaging images with backgrounds knocked out of focus to emphasise the people, I was pretty much left to cover these sessions using a combination of set-up poses and fly-on-the-wall techniques.

Probably my favourite of all the photo sessions was the morning I spent with the Singing for the Brain group, who meet weekly and give those with dementia and their carers a chance to socialise and stimulate their memories through singing and fun activities. Capturing the pleasure on the faces of people as they met for tea and cake, and then when they got into the singing session, was really up-lifting.

The team I worked with were very pleased with what I turned in and I’ll be gradually adding to their library in the year ahead, so I’m looking forward to finding out even more about what the CCG does, meeting the people who run the services, the people who benefit from them and creating pictures which encapsulate the whole story.

Hot Off The Back Of My Camera

Between paid assignments I’m working to expand my portfolio with personal shoots, so having spent the entire morning editing and delivering a job for a client from a shoot in Surrey yesterday (more about that in a future post), I grabbed my gear and got down to H&B Tyres in Frome for a mini portrait session.

I’d popped into H&B previously to check that it would be ok/possible to do some photos as and when I was able, and was given the OK by the owner, Mike as well as a green light from a couple of the tyre fitters there.

I wanted to use the opportunity to take portraits of these guys because A) The staff area is a fascinating jumble of car parts and machinery and B) I wanted to take “formal” portraits in a setting I don’t typically find myself in. Most of what I shoot happens in nice, clean offices with predictable lighting against a plain or office backdrop. I wanted a bit more of a challenge to see what would come of it.

From the shoot, which finished just over an hour ago, I’ve pulled one image for this blog post. I think one or two more may well find their way into my portfolio galleries.

In the meantime, meet Donald who, as it happens, is a fan of Don McCullin’s work. I think Don the tyre fitter’s pose might well have been influenced by Don the photographer’s work.

Swift Response

 

Pressure of  work and personal commitments this week means I was considering not writing anything today, but I know if I don’t at least acknowledge the Jason SheldonTaylor SwiftApple debate I’ll receive several emails and messages from people asking if I’ve seen it and asking what I think, not that I think I’m the most qualified person to comment on this, not being primarily a concert photographer.

So my response is this; yes I’ve seen the debate. Jason has a good point which will be widely misconstrued by many as some kind of parasitical greed. But that’s the internet for you, and just as I suspect Jason’s blog stats look like a server somewhere is about to burst into flames, “the internet” will move on tomorrow or the next day and things will return to normal for him. Only I hope normal means better, with fewer ill-conceived contracts restricting what a talented photographer can do with their work.