New Reviews News

It’s been a bit of a shame that lately I’ve been so busy taking pictures I’ve barely had time to blog, yet I have so few photos I can post here from these crazy times as I’m bound by client exclusivity. Hopefully there will be some interesting case studies I can post as the brochures, banners and web publications I’ve been shooting for come to be published.

One thing I can tell you about actually consists of three things, that is to say three other articles I’ve recently written over on my PhotoEspresso blog.

SanDisk memory card and Hähnel battery arrive from Clifton Cameras in Bristol for review

A memory card and a very orange camera battery were included in my review

The articles came about as a result of an approach from Clifton Cameras in Bristol asking if I’d be interested in reviewing their website in return for a couple of items I could purchase and have refunded, thereby gaining the user’s experience of the site. A sort of sponsored post if you like.

In the event I turned it into three posts because the items I received are worth reviewing and discussing on a photography help site and because it’s always useful to have fresh things to write about for that blog, which has a different purpose to my main one here.

Anyway, I ordered the items – a memory card and a camera battery, wrote a review for each and I’ve just published the Clifton Cameras website review. The whole exercise has been useful and enjoyable. It would be good to build up the paid blogging part of what I do, so if anyone out there knows anyone looking for someone to write honest reviews, critiques or general photography-related articles, send them my way!

In the meantime, I’ll keep an eye on which assignments I can feature here as they become available. Stay tuned!

A few tips for Michael Middleton

Maybe this is my silly season, but I can’t help thinking there must be something more important for me to write about than the first official photographs of Prince George. If there is, it’ll have to wait because for some reason I can’t let these images pass without comment.

Of course I’m not alone. There has been quite a bit of justifiable criticism of the photos which were taken by Kate’s father.

I’m not a fan of the stagey Royal shots which are often presented to us, all glitz and kitsch,  and I can understand why the Royals are trying to be more “of the people”, but I can’t help feeling Michael Middleton isn’t familiar enough with his camera or photography in general to pull this off convincingly. It takes a reasonable amount of skill to make an un-staged photo still look like a good photo.

In a spirit of generosity, I’ll give Mr Middleton a few pointers for the next time he has to take a family group, or George’s sibling is born and official photos are required again (apart from finding a decent photographer, for which I’d charge only a reasonable fee and expenses).

kate and william official baby photo

  1. The sun being behind the group, the lawn and other landscape features in the background have become washed out. Not always a problem, but it doesn’t work in this context. Bleached-out skies aren’t attractive.
  2. Tied in with 1, the camera sensor can’t cope with the deep shadow in Kate and William’s faces. They too look washy and lack detail, this time by being too dark. The problem is probably made worse by using a cheap lens. It would take a fair bit of Photoshop fiddling to rescue the details. A better option would have been a reflector or flash. Nothing fancy, just a small flash would have helped balance up the contrast between faces and background and brought out more detail.
  3. An ugly splash of light on William’s head. Moving the couple into a shadier area, or turning them would have helped 1 and 2 and avoided ugly highlights like this one.
  4. I only know that’s a dog because I’ve read the caption. It looks like an abandoned rug and adds nothing to the photo.
  5. The baby, perhaps the most critical element of the photo, takes up less of the photo than 6, a dog. The main purpose of the photo is the baby, but he’s lost here in a sea of distractions.
  6. A black dog, unlit, with its tongue lolling out. Just another distraction.
  7. I could have put this number in so many places on the photo – there is so much wasted space. Take out the dogs, turn the camera vertical and focus in on parents and baby. A bit of garden in the background to give some context and location and the job’s a good un.

Well even if Michael Middleton ignores my advice, you’re welcome to use it next time you need to take an “official” photo of your family.

Xcellent20

Once again I’m too swamped with work to write a full blog article. Luckily for you, an article I wrote for Wex Photographic about the rather super Fuji X20 has just been published, which is also lucky for me as it gets me off the hook for another week. I’m away next week too, so I may have to give it a rest until the week after.

In the meantime, do please read and share the Wex article with all your best friends! They’ll thank you for it I’m sure. Thank you for your patience, here’s one of the photos from the review as a reward.

Photo taken in Bath using the Fuji X20 camera

I’ve enjoyed shooting in black and white with the X20

pix improves

Back in July 2012 I stumbled across something called pix magazine and was so taken aback by it’s absurd fixation on girlie accessories for female photographers, other wise known as photographers, that I felt compelled to lay into it.

My problem with that edition of the magazine was its focus on pretty fripperies like flowery camera straps, pretty shoes and make-up and seemed to be written from the point of view of people who really didn’t have a clue what photography is beyond an excuse to buy pretty things. For a photographic magazine aimed at women photographer it featured very few photographers talking about their work or giving guidance on how to break into a male-dominated industry.

When the Spring 2013 issue dropped into my inbox I took another look. I have to say I’m pleasantly surprised with the transformation. This time around there is more focus on working photographers. This edition focusses on travel photography, so there’s plenty of scope for pretty pictures and they are present in abundance.

Cover of pix magazine

The latest edition of pix magazine. Big improvement!

The copy is still fairly light and a little fluffy for my tastes; photographers talking about capturing emotions and moments is something of a cliché and I still wish there was a magazine out there for people (of either gender) wanting to know more about the stories behind photographers who’ve made a success of their work. It would be nice to know the stories of photographers who have failed once or twice so we could all learn from their experiences. Stories of photographers who “love to capture the moment” aren’t really that interesting.

There are still articles on buying groovy kit, but then I suppose a magazine has to attract advertisers if it is to survive. I remember when I was much younger a magazine entitled PIC (People In Camera) which was interesting because it interviewed photographers in depth and pix could do more of that and still talk about accessories.

Credit where credit is due though, a change of editor has worked wonders and it would be good to see this direction pursued further. It might even become something I would spend time reading for the sake of a good read, rather than for the sake of a good blog article.

Read lens review (not Len’s review)

I’m painfully aware that for the second week running I’ve missed publication day for my blog, which is normally on a Tuesday. For this I am quivering with apologia as I know some of you do little else on a Tuesday than await the publication of my next thrilling article; the truth is I’ve been busier than a bee with a very long to do list, and while I’m not sorry to be working and making a living I genuinely do regret the obvious disappointment caused by the non-appearance of fresh reading fodder for you here.

By way of compensation (or perhaps for some, this is a further slap in the face) I can present you with this lens review wot I wrote and which appears over on the Wex Photography blog. I do hope at least some of you go and read it and that a reasonable proportion of you (maybe 36.5% or thereabouts) might actually enjoy it. Even if 53.284% of those who click the above link actually read beyond the opening paragraph, there is a fighting chance that around 40.7239999 (recurring)% will read to the end. I suspect the larger proportion of those of you who respond positively to the survey question “Did you enjoy reading Tim’s excellent lens review?” will be lying, but that’s ok. I’m interested in statistics, not the truth.

Enough of this nonsense. Move your mouse pointer back to that link… go on… now cli…

Coke, girls and cameras!

Twice a year, Frome Wessex Camera Club hold a camera and photographic fair at The Cheese and Grain in Frome. Twice a year I miss it. In fact I must have missed it about 14 times by now, but I was determined to take a look this time.

Frome Wessex Camera Fair a table of Nikon cameras

Classics from Nikon and Leica to tempt the collector

I’ll confess I expected to find The Cheese and Grain stuffed to the gunwales with old guys in multi-pocketed photographers’ vests nerding over Leica MIIIs and Summicron lenses, or Nikkorflexollamas or whatever. Let’s just say, the gunwales were stuffed, the men were numerous and old and there was the buzz of nerding in the air. I even spotted one or two men wearing multi-pocketed vests, but they may have been anglers who’d wandered in by mistake.

To be fair, my age, gender and nerding tendencies mean I was in excellent company. I took the precaution of bringing my son who was going to have “none of that”. He stayed close and pulled me back from the abyss whenever my eyes glazed at the sight of a classic rangefinder camera. A tough task for any 12-year-old boy, but he did a super job and a coke in the cafe soon revived his superpowers.

Camera fair at The Cheese and Grain, Frome

Dive in, geek out and have fun

Brian Sawyer and Bill Collett try out a camera and lens

Bill Collett of Priston (right) tries his new lens on a camera Brian Sawyer of Melksham considers buying.

The fair itself is a broad mixture of ancient oddities (by which I mean the cameras, not the visitors… mostly) and present-day technology, but the emphasis is geared more to collectibles than modern equipment. I did speak to one chap who’d just acquired a very current and expensive lens at an excellent price. I was a little jealous, I must admit, but my son detected an evil glint in my eye and tugged my arm as he saw me starting to follow the man with the lens. It could have turned nasty.

There were one or two actual women there too and they didn’t appear to be there under duress. They were enjoying the fair too, and I spoke to a young woman from New Zealand who was there to enquire about adapting older lenses to fit her modern digital camera. She was impressed with the level of knowledge available from stallholders and seemed to be having a great time. She hadn’t come all the way from New Zealand just for the fair, but it would be nice to pretend she had.

For me the fair was an opportunity to find something fun to write about this week and to test a (nerd alert) Canon 16-35mm f/2.8L USM MKII lens which I’m reviewing for Wex Photographic. I know you’ll all be dying to read that review when it’s published, so I’ll be sure to let you know when it’s up.

Vicky Long studies a 500mm mirror lens

Vicky Long came all the way from New Zealand just for the fair! (I’d like to think)

The next fair is in November and I’ll probably pop along if my son will be my nerdguard. It might require two cokes next time.

Reviewing a Gem

If you haven’t already seen my review of the Fuji X10 over on the Wex Photographic website I suggest you get there post-haste and read it without further delay. War and Peace it isn’t, but what you will get is a camera reviewed in working situations and which shows what the camera is capable of when you delve deeper than the auto settings. What I discover is that the X10 is a little gem.

Although I’ve only ever reviewed two cameras (the aforementioned X10 and the Canon G1 X) I can honestly say I enjoy the experience and of course Wex know I’d like to do more.

Test photo for Wex Photographic review of Fuji X10

One of my first shots with the X10, testing macro and low light abilities in one shot.

It’s one of those tasks which is kind of scary but also exciting; I know I have to deliver a coherent critique of a camera and I need to get it done within a reasonable period of time, while of course I enjoy getting to try out new equipment.

Wex give me the freedom to decide what images I take, but I’m always looking for pictures which don’t just show that a camera can take pretty snaps in Auto mode, but that it can be pushed and stretched (figuratively of course) to show what it can and can’t do. There’s no point me just stepping outside the office and taking pictures of buildings and pretty scenes. Any camera that can be called a camera can pretty much do that standing on its head, albeit the pictures will be upside down.

With the G1 X and X10 I wanted to see if the camera could take sellable pictures. In the case of the G1 X I sold a flood picture which I took on my first outing with the camera. With the X10 I used it on an assignment and mixed the results in with photos taken on my main camera as it proved very useful working in a situation where shutter noise would have been distracting. The client was happy, and it gave me another chance to show people what the camera could do in less than ideal conditions.

In both cases I tried the cameras out with my portable studio lighting, and both worked incredibly well. And although I don’t class myself a Street photographer, again both allowed me to have a go at this tricky genre and I was pleased with the results.

Wex already know I’m champing at the bit to have a go with the X10’s successor, the imaginatively-named X20, as soon as I can and of course I’ll publicise the article widely if/when that happens and of course you’ll read it, won’t you?

2012 in Pictures (well, mine anyway…)

This being the last blog post for 2012 it seemed like a good excuse to do a round-up of some of the photos I’ve taken for clients this year – one from each month except July for which I’m posting two images just because I have the power and I felt like it.

I would like to take this opportunity to thank all my clients without whom I wouldn’t be in business and I would very much like to thank all my blog readers for putting up with my drivel over the last 12 months and for being patient when I didn’t get time to post anything some weeks. I’m sure you were grateful for the breaks anyway.

I do hope you enjoy this selection of photos, have a very happy Christmas and New Year and I’ll see you again in January 2013.

Acting college student Tom England of Frome

January: Tom England of Frome poses for his acting college portrait

Snowplough operative with truck and shovel

February: Overnight snow meant a last-minute task taking pictures in Cirencester for Mitie’s snow-clearance service

Dr Vince Cable speaks at the BBSRC Innovator of the Year awards, London

March: Dr Vince Cable addresses an audience of scientists at a bio-science innovation awards event, London

Empty warehouse interior

April: Warehouse interior near Exeter, soon to be the distribution hub for a toy importer

Olympic torch relay handover at University of Bath

May: Olympic torch relay handover at University of Bath

School science experiment with big yellow flash of flame with pupils looking on

June: Whitstone School website and prospectus

Rugby Sevens team captains in Bath

July: Programme cover shot for the J P Morgan Rugby 7s final in Bath

Christmas tree in office setting

July: As you would expect in July I’m photographing Christmas trees in an office setting

Millennium Square, Bristol, Triathlon England sporting event

August: An Olympic event organised by Sport England in Bristol’s Millennium Square saw all weather from bright sunshine to torrential rain.

Abstract image of wire page binding on a roll

September: Abstract image for Corsham-based digital print company Orbit

Pumpkin soup in a bowl, with sparkler lit in an apple

October: Exciting new venture Local Morsels online food magazine launches with an Autumn edition featuring pumpkin soup and sparklers in apples

Farmer in his Somerset milking parlour with two milkers

November: Marksbury farmer Stephen Bendall uses a robotic milking system in his dairy. I just like this portrait which I took at the end of the session

Cheese-maker cuts a round of cheese at Frome Super Market

December: Tom Calver of Westcombe Dairy cuts unpasturised cheddar at Frome Christmas Super Market

My camera review has arrived!

Woman on steps of Shepherds Barton, Frome

I was stunned at the quality from this little camera

To make up for my not publishing a blog article this week, feast your eyes instead on the review I wrote and shot pictures for on the Canon G1 X for Warehouse Express (see here).

I’m really rather excited about the whole process of reviewing a camera, and it’s been an interesting exercise. I wanted to shoot pictures that I would be proud of, in the style of the kind of work I do. Too many reviews just feature colour charts or random photos of pretty scenes on sunny days, and I wanted to push the G1 X to see what it’s really capable of.

Do take a look at the article and I’ll be happy to hear what you think.

Now go. Go on read it… you still here?

Review preview

For some time now I’ve contributed occasional articles to the Warehouse Express blog site where I’ve discussed topics as diverse as looking after your copyright on social media sites, the changing face of photography since 1945, fast flash synchronization, and using flip-out screens on compact cameras.

The flip-out screen article was inspired by my having bought a Canon G11 which has one such flippy-outie screen. Warehouse Express asked if, being something of a G-series fan, I would be interested in writing a review of the G1 X, Canon’s new, beefier version of the G-series cameras. How could I refuse? So they sent me one.

Having played with the G1 X for over a week now, I have to say… well you’ll have to read the finished article to know what I think of the camera and see the pictures I’ve taken with it, but I’ll give you some insight into how the review process is going.

Canon G1 X

My review copy of the Canon G1 X

I was a little daunted at first when I realised I was actually going to have to go out and take pictures with this camera, preferably ones I’d be proud to show and which would demonstrate its capabilities. I mean I’m always happy to take pictures, but I don’t like reviews that don’t really push the equipment or show interesting photos. Colour charts and pictures of buildings on a sunny day don’t really do it for me.

As luck would have it, the day after the camera arrived so did some heavy rain and local flooding (don’t worry, no houses flooded). I grabbed the G1 X leaving all other cameras at home on purpose and headed out to the affected part of town. The camera was going to have to sink or swim! Well, not literally; I don’t think buoyancy tests are a normal test for a digital camera.

Since then I’ve shot portraits, events, street scenes and I’m hoping to test the camera in the most difficult of lighting conditions, the Frome farmers’ market at Standerwick, which has been a long-term photographic project for me.

With a bit of luck I’ll have a total of about 3 or 4 weeks to really try this thing out, and once I’ve processed the images and written up the review I should think the finished article will go live on the Warehouse Express blog pages pretty swiftly.

Don’t worry, I’ll be sure to make a big song and dance about my first product review. I won’t let you miss it.

Until then, I will offer this sneaky peek at the picture set since the picture below has already been released for editorial use via Alamy Live News.

flood waters in Frome

First outing I had with the G1 X was a bit of a weather event